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Noises in the Blood
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  • 2015Jamaican Creole Goes Web93 cited
  • 2020Feeling neoliberal53 cited
  • 2021My Mother Who Fathered Me49 cited
  • 1998Quasheba, mother, queen: Black women's public leadership and political protest in post‐emancipation Jamaica, 1834–6547 cited
  • 2019The Cambridge History of Black and Asian British Writing36 cited
  • 2019Engaging the Public26 cited
  • 2003‘RaGap’: Music and identity among young Ethiopians in Israel23 cited
  • 2019Looking Back, Looking Forward19 cited
  • 2008“¡LOS GRINGOS VIENEN!” (THE GRINGOS ARE COMING!): FEMALE RESPECTABILITY AND THE POLITICS OF CONGO TOURIST PRESENTATIONS IN PORTOBELO, PANAMA17 cited
  • 2020Affective cosmopolitanisms in Singapore: Dancehall and the decolonisation of the self17 cited
  • 2010Re-Constituting Place and Space: Culture and Communication in the Construction of a Jamaican Transnational Identity17 cited
  • 2009“Feeling like a woman, looking like a man, sounding like a no-no”: Grace Jones and the performance of Strangé in the Post-Soul Moment13 cited
  • 2008Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography12 cited
  • 2006Migrations of a Mask11 cited

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  • 2020Caribbean Literature in Transition, 1970–202011 cited
  • 2017Sonic colour zones: Laura Boulton and the hunt for music9 cited