SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Tradition and Creativity in Tribal Art
0 references·16 citing·56 second hop
Tradition and Creativity in Tribal Art (1969)Tradition and Creativity in Tribal ArtReappraising the iconography and ethno-aesthetics of Adada masquerade of the Nsukka Igbo, southeast Nigeria (2021)Reappraising the iconography …Creativity/Anthropology (2018)Creativity/AnthropologyPowerful Pots, Humbling Holes, and Regional Ritual Processes: Towards an Archaeology of Huedan Vodun, ca. 1650–1727 (2009)Powerful Pots, Humbling Holes…People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon) (2002)People of the Chisel: Apprent…Cross-cultural and Intra-societal. Application of DeLong's Framework for Visual Analysis (1998)Cross-cultural and Intra-soci…Creativity across Time and Place: life span and cross‐cultural perspectives (1998)Creativity across Time and Pl…At the margin or the center?—The anthropological study of art (1998)At the margin or the center?—…Continuity and Change in Yoruba Pottery (1996)Continuity and Change in Yoru…Style, Society, Myth, and Structure (1995)Style, Society, Myth, and Str…Creativity (1994)CreativityBeyond the Intentional Fallacy: Art Criticism and the Ethnography of Aboriginal Acrylic Painting (1994)Beyond the Intentional Fallac…Oríkì, women and the proliferation and merging ofòrìṣà (1990)Oríkì, women and the prolifer…CREATIVITY AND CROSS‐CULTURAL VARIATION (1990)CREATIVITY AND CROSS‐CULTURAL…Reinventing Africa in their own image: The ballets suedois’ “ballet negre,” La Création du monde (1985)Reinventing Africa in their o…One Tribe, One Style? Paradigms in the Historiography of African Art (1984)One Tribe, One Style? Paradig…Aspects of the use of copper in pre-colonial West Africa (1973)Aspects of the use of copper …Homo Ludens: A Study of the Play-Element in Culture. (1951)Structural Anthropology (1967)Mortuary practices: Their social, philosophical-religious, circumstantial, and physical determinants (1995)THE ARCHAEOLOGY OF SYMBOLS (1998)The Mediterranean economy (2005)The Theory of the Leisure Class (2009)Studies of independence and conformity: I. A minority of one against a unanimous majority. (1956)The Social Psychology of Creativity (1983)Justice and Positive and Negative Creativity (1999)Metaphors We Live By (2003)On the Cognitive Benefits of Cultural Experience: Exploring the Relationship between Studying Abroad and Creative Thinking (2012)Individualism–collectivism and the quantity versus quality dimensions of individual and group creative performance (2014)‘Canadian Journal of African Studies’ (1967)The Birth of African-American Culture: An Anthropological Perspective. (1993)Africa and Africans in the Making of the Atlantic World, 1400–1800 (1998)Feasts in Motion: Archaeological Views of Parades, Ancestral Pageants, and Socio-Political Process in the Hueda Kingdom, 1650–1727 AD (2010)Thinking through “Vernacular Cosmopolitanisms”: Historical Archaeology in Senegal and the Material Contours of the African Atlantic (2013)Only women can whisper to gods: Voodoo, menopause and women’s autonomy (2019)The Order of Things: An Archaeology of the Human Sciences. (1971)Central Problems in Social Theory (1979)Outline of a Theory of Practice. (1980)Marketing and the Multiple Meanings of Australian Aboriginal Art (1999)Unsettled Business: Acrylic Painting, Tradition, and Indigenous Being (2004)The Art/Ethnography Binary: Post-Colonial Tensions within the Field of Australian Aboriginal Art (2012)Beyond IQ: A Triarchic Theory of Human Intelligence (1986)Cultural Variation and Dominance in a Globalised Knowledge-Economy: Towards a Culture-Sensitive Research Paradigm in the Science of Giftedness (2012)Life-Span Development and Behavior (2014)Creativity in the Visual Arts (2017)Socio‐Economic Status and Creativity: A Meta‐Analysis (2022)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions (1964)A Handbook of Method in Cultural Anthropology. (1975)African Visual Arts from an Art Historical Perspective (1989)Drink Deep, or Taste Not: Thoughts on the Use of Early European Records in the Study of African Material Culture (1994)A New Paradigm: The African Early Iron Age without Bantu Migrations (2000)Olodumare: God in Yoruba Belief (1966)How man makes God in West Africa: Yoruba attitudes towards the Orisa (1981)I Could Speak Until Tomorrow (1991)Discourse and its disclosures: Yoruba women and the sanctity of abuse (1998)Beyond Diversity: Women, Scarification, and Yoruba Identity (2008)Tragedy and Postcolonial Literature (2021)A Late Upper Pleistocene Proto-West African Negro from Nigeria (1971)Sources of Yoruba history (1973)Excavations on the Woye Asiri Family Land in Ife, Western Nigeria (1977)Current Issues in Ceramic Ethnoarchaeology (2003)Body Marks, Pots, and Pipes: Some Correlations between African Scarifications and Pottery Decoration in Eighteenth- and Nineteenth-Century Brazil (2012)The associative basis of the creative process. (1962)Toward a Psychology of Being (1962)The Nature of Human Intelligence (1968)Children's Original Thinking: An Empirical Examination of Alternative Measures Derived From Divergent Thinking Tasks (2001)Creativity and Cognitive Control: Explorations of Generation and Evaluation Skills (2003)Early Childhood Creativity: Challenging Educators in Their Role to Intentionally Develop Creative Thinking in Children (2017)Studies in Ethnomethodology. (1968)Outline of a Theory of Practice (1977)The Postmodern Condition: A Report on Knowledge (1984)On‘appropriation’. A critical reappraisal of the concept and its application in global art practices* (2007)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1994Creativity170 cited
  • 1990CREATIVITY AND CROSS‐CULTURAL VARIATION138 cited
  • 1984One Tribe, One Style? Paradigms in the Historiography of African Art111 cited
  • 1995Style, Society, Myth, and Structure89 cited
  • 1998Creativity across Time and Place: life span and cross‐cultural perspectives75 cited
  • 1994Beyond the Intentional Fallacy: Art Criticism and the Ethnography of Aboriginal Acrylic Painting59 cited
  • 2018Creativity/Anthropology50 cited
  • 1990Oríkì, women and the proliferation and merging ofòrìṣà49 cited
  • 1996Continuity and Change in Yoruba Pottery41 cited
  • 2009Powerful Pots, Humbling Holes, and Regional Ritual Processes: Towards an Archaeology of Huedan Vodun, ca. 1650–172739 cited
  • 1973Aspects of the use of copper in pre-colonial West Africa37 cited
  • 2002People of the Chisel: Apprenticeship, youth, and elites in Oku (Cameroon)28 cited
  • 1998Cross-cultural and Intra-societal. Application of DeLong's Framework for Visual Analysis6 cited
  • 1985Reinventing Africa in their own image: The ballets suedois’ “ballet negre,” La Création du monde6 cited
  • 2021

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Reappraising the iconography and ethno-aesthetics of Adada masquerade of the Nsukka Igbo, southeast Nigeria
5 cited
  • 1998At the margin or the center?—The anthropological study of art3 cited