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Three Centuries of Harpsichord Making
0 references·9 citing·18 second hop
Three Centuries of Harpsichord Making (1966)Three Centuries of Harpsichord MakingThe Cambridge Companion to the Harpsichord (2019)The Cambridge Companion to th…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Harpsichord and Clavichord (2010)Harpsichord and ClavichordMusician's and physicist's view on tuning keyboard instruments (2006)Musician's and physicist's vi…Coulomb's Data on Harpsichord Wire (1992)Coulomb's Data on Harpsichord…Striking It Rich: The Significance of Striking Points in the Evolution of the Romantic Piano (1988)Striking It Rich: The Signifi…Tuning and Temperament; A Historical Survey (1952)Tuning, Timbre, Spectrum, Scale (1998)A History of Performing Pitch: The Story of 'A' (2002)Instrumental performance in the nineteenth century (2012)The Pianoforte: Its History Traced to the Great Exhibition of 1851 (1933)Three Centuries of Harpsichord Making (1966)Giraffes, black dragons, and other pianos: a technological history from Cristofori to the modern concert grand (2001)Discorsi e dimostrazioni matematiche, intorno à due nuoue scienze attenenti alla mecanica & movimenti locali (1966)Die Kunst des reinen Satzes in der Musik (1988)Lutes, Viols and Temperaments (1993)A REAPPRAISAL OF THE SPECIFIC GRAVITY METHOD FOR THE ANALYSIS OF GOLD ALLOYS (1970)Coulomb and the Evolution of Physics and Engineering in Eighteenth-Century France (1972)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Shared musical creativity: teaching composer-performer collaboration (2020)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Music in the Early Colonial World (2019)
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Cited by

  • 2012The Cambridge History of Musical Performance46 cited
  • 2019The Cambridge Companion to the Harpsichord27 cited
  • 2012The performer and the composer10 cited
  • 2010Harpsichord and Clavichord9 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2006Musician's and physicist's view on tuning keyboard instruments3 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 1988Striking It Rich: The Significance of Striking Points in the Evolution of the Romantic Piano3 cited
  • 1992Coulomb's Data on Harpsichord Wire3 cited

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