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Bytes and Backbeats
16 references·0 citing·29 second hop
Bytes and Backbeats (2011)Bytes and BackbeatsThe Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Simulacra and Simulation (2007)Simulacra and SimulationCapturing sound: how technology has changed music (2005)Capturing sound: how technolo…The audible past: cultural origins of sound reproduction (2003)The audible past: cultural or…Performance Studies: An Introduction (2003)Performance Studies: An Intro…The Work of Art in the Age of Mechanical Reproduction (2001)The Work of Art in the Age of…Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (2001)Copyrights and Copywrongs: Th…Performing Rites (1996)Performing RitesSimulacra and Simulation (1995)Simulacra and SimulationThe Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Image-Music-Text (1977)Image-Music-TextBlues People: Negro Music in White America (1963)Blues People: Negro Music in …Emotion and Meaning in Music (1957)Emotion and Meaning in MusicDisjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)The Network Paradigm in Organizational Research: A Review and Typology (2003)From Poverty to Perversity: Ideas, Markets, and Institutions over 200 Years of Welfare Debate (2005)The work of representation (2020)The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)Culture and Competition: Homophily and Distancing Explanations for Cultural Niches (2003)Black Twitter? Racial Hashtags, Networks and Contagion (2013)Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)The Mediatization of Society (2008)Rethinking Populism: Politics, Mediatisation and Political Style (2013)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Formal Dining at Cambridge Colleges: Linking Ritual Performance and Institutional Maintenance (2010)Analysing popular music: theory, method and practice (1982)Emotion recognition based on physiological changes in music listening (2008)Organized sensemaking: A commentary on processes of interpretive work (2012)Digital Material : Tracing New Media in Everyday Life and Technology (2009)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sound as affect: Difference, power and spatiality (2016)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)
this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1995Simulacra and Simulation6,889 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1977Image-Music-Text3,641 cited
  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 2003Performance Studies: An Introduction2,271 cited
  • 1996Performing Rites1,123 cited
  • 1957Emotion and Meaning in Music1,026 cited
  • 2003The audible past: cultural origins of sound reproduction978 cited
  • 1963Blues People: Negro Music in White America879 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 2007Simulacra and Simulation778 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 2001The Work of Art in the Age of Mechanical Reproduction754 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited

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