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Harmonic and Formal Processes in Ligeti's Net-Structure Compositions
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Harmonic and Formal Processes in Ligeti's Net-Structure Compositions (1995)Harmonic and Formal Processes in Ligeti's…‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem andLux aeterna (2013)‘Rules as Strict as Palestrin…To the Future or the Past? Ligeti's Stylistic Eclecticism in HisHamburg Concerto (2012)To the Future or the Past? Li…Aspects of Harmonic Structure, Voice Leading, and Aesthetic Function in György Ligeti'sin Zart Fliessender Bewegung (2012)Aspects of Harmonic Structure…Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta (2003)Zones of Impingement: Two Mov…The New Hungarian quarterly (1965)Intertextual Representation: On Mimesis as Interpretive Discourse (1984)Inaudible Structures, Audible Music: Ligeti's Problem, and His Solution (1987)College Music Symposium (1962)Bela Bartok: An Analysis of His Music (1971)Composition With Pitch-Classes (1987)The Style of Palestrina and the Dissonance (1946)Stocktakings from an apprenticeship (1992)György Ligeti and the Rhetoric of Autonomy (2004)György Ligeti in conversation with Péter Várnai, Josef Häusler, Claude Samuel, and himself (1983)Harmonic and Formal Processes in Ligeti's Net-Structure Compositions (1995)Ligeti's Restoration of Interval and Its Significance for His Later Works (1999)
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  • 2003Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta4 cited
  • 2012Aspects of Harmonic Structure, Voice Leading, and Aesthetic Function in György Ligeti'sin Zart Fliessender Bewegung3 cited
  • 2012To the Future or the Past? Ligeti's Stylistic Eclecticism in HisHamburg Concerto2 cited
  • 2013‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem andLux aeterna2 cited

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