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Charles Macklin
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Charles Macklin (1960)Charles MacklinIreland, Enlightenment and the English Stage, 1740-1820 (2019)Ireland, Enlightenment and th…Celebrity Shylock (2011)Celebrity ShylockThe social world of authorship 1660–1714 (2005)The social world of authorshi…The eighteenth-century periodical essay (2005)The eighteenth-century period…The Cambridge History of English Literature, 1660–1780 (2005)The Cambridge History of Engl…Sentimental fiction: ethics, social critique and philanthropy (2005)Sentimental fiction: ethics, …Publishing and bookselling 1660–1780 (2005)Publishing and bookselling 16…Political, satirical, didactic and lyric poetry (I): from the Restoration to the death of Pope (2005)Political, satirical, didacti…Eighteenth-century women poets (2005)Eighteenth-century women poetsDiary and autobiography (2005)Diary and autobiographyTheatre companies and regulation (2004)Theatre companies and regulat…The Cambridge History of British Theatre (2004)The Cambridge History of Brit…The Power of the Passive Self in English Literature, 1640–1770 (2002)The Power of the Passive Self…''John Bull, pit, box, and gallery, said No!'': Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage (2002)''John Bull, pit, box, and ga…Popular culture and public debate: London 1780 (1996)Popular culture and public de…The British Background of the American Hallams (1970)The British Background of the…An Essay concerning Human Understanding (1690)Keywords: A Vocabulary of Culture and Society (1977)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Advertising and Satirical Culture in the Romantic Period (2007)The Cambridge History of the Book in Britain (2009)Towards a bibliometric analysis of the surviving record, 1701–1800 (2009)The complete works of William Hazlitt (1930)Visual Pleasure and Narrative Cinema (1975)The Melodramatic Imagination (1984)Theater and Nation in Irish Romanticism: The Tragic Dramas of Charles Robert Maturin and Richard Lalor Sheil (2006)Domestic Melodrama (2018)Gothic Melodrama (2018)The Presentation of Self in Everyday Life. (1956)The Structure of Scientific Revolutions (1963)Outline of a Theory of Practice (1977)Who Can Believe? Sentiment vs. Cynicism in Richardson's Clarissa (2003)The Panopticon Reviewed: Sentimentalism and Eighteenth-Century Interiority (2010)The Passion of Oroonoko : Passive Obedience, The Royal Slave, and Aphra Behn's Baroque Realism (2012)The stage Irishman : a history of the Irish play and stage characters from the earliest times (1937)Teague, Shenkin and Sawney : being an historical study of the earliest Irish, Welsh and Scottish characters in English plays (1954)Jews and Other "Outlandish Englishmen": Ethnic Performance and the Invention of British Identity under the Georges (2000)Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity (2005)Drama, theatre, and identity in the American New Republic (2006)London Debating Societies in the 1790s (1989)Catharine Macaulay's Civil War: Gender, History, and Republicanism in Georgian Britain (2002)Dissenters (2020)Mary Wollstonecraft in Context (2020)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Classical standards in the period (2000)Religion and literature (2000)The transformation of rhetoric (2000)Melancholy Experience in Literature of the Long Eighteenth Century (2011)Melancholy Experience in Literature of the Long Eighteenth Century: Before Depression, 1660-1800 (2011)THE PRACTICE OF EVERYDAY LIFE (2018)The structural transformation of the public sphere (2006)The Testimony of Sense (2019)On Essays (2020)The Enlightenment Index (2015)Children’s books and school-books (2009)The book as a commodity (2009)
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  • 2005The Cambridge History of English Literature, 1660–1780164 cited
  • 2004The Cambridge History of British Theatre114 cited
  • 2005Eighteenth-century women poets107 cited
  • 1996Popular culture and public debate: London 178089 cited
  • 2005The social world of authorship 1660–171466 cited
  • 2002''John Bull, pit, box, and gallery, said No!'': Charles Macklin and the Limits of Ethnic Resistance on the Eighteenth-Century London Stage45 cited
  • 2002The Power of the Passive Self in English Literature, 1640–177036 cited
  • 2005Publishing and bookselling 1660–178028 cited
  • 2005Diary and autobiography28 cited
  • 2005The eighteenth-century periodical essay24 cited
  • 2019Ireland, Enlightenment and the English Stage, 1740-182022 cited
  • 2005Political, satirical, didactic and lyric poetry (I): from the Restoration to the death of Pope22 cited
  • 2004Theatre companies and regulation19 cited
  • 2011Celebrity Shylock16 cited
  • 2005Sentimental fiction: ethics, social critique and philanthropy16 cited

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  • 1970The British Background of the American Hallams15 cited