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Cited by

• 1999The State of Culture Theory in the Anthropology of Southeast Asia76 cited
• 1996The Narrative Production of “Home,” Community, and Political Identity in Asian American Theater67 cited
• 2009Corpse Abuse and Trance in Bali: The Cultural Mediation of Aggression47 cited
• 1996The Figure of the X40 cited
• 1996“Cultural Defense” and Criminological Displacements38 cited
• 1988Staying “Cool” in Toraja: Informal Strategies for the Management of Anger and Hostility in a Nonviolent Society35 cited
• 2000Shamanism, Psychosis and Autonomous Imagination31 cited
• 1996Anzaldua’s Frontera28 cited
• 1974The Shamanistic Origins of Popular Entertainments25 cited
• 1996Blowups in the Borderzones24 cited
• 1995“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand17 cited
• 2007Consciousness in performance. A Javanese theory*13 cited
• 1996Truthful Trickery: Shamanism, Acting and Reality12 cited
• 1981Culture and Psychopathology in Indonesia9 cited
• 2012Performing Kecak: A Balinese Dance Tradition Between Daily Routine and Creative Art