SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Chopin and Genre
0 references·5 citing·26 second hop
Chopin and Genre (1989)Chopin and GenreThe line of fifths and the co-evolution of tonal pitch-classes (2022)The line of fifths and the co…Chopin and the Romantic Sonata: The First Movement of Op. 58 (2014)Chopin and the Romantic Sonat…The ‘routes’ and ‘roots’ ofdanzón: a critique of the history of a genre (2011)The ‘routes’ and ‘roots’ ofda…Making and remaking (2003)Making and remakingGenre, performance and ideology in the early songs of Irving Berlin (1994)Genre, performance and ideolo…Diasporas (1994)Performing Rites (1996)Performing rites: on the value of popular music (1997)Aficionados, Academics, and Danzón Expertise: Exploring Hierarchies in Popular Music Knowledge Production (2014)The Expediency of Blackness: Racial Logics and Danzón in the Port of Veracruz, Mexico (2016)The Law of Genre (1980)Foundations of Music History (1983)Running with the devil: power, gender, and madness in heavy metal music (1993)Musical genre as a gendered process: Authenticity in extreme metal (2010)La cantata: el cruce entre lo culto y lo popular (2013)Music, Analysis, Experience: New Perspectives on Musical Semiotics (2015)The Dialogic Imagination: Four Essays (1982)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Harmony in Chopin (2015)Between the Signposts: Thematic Interpolation and Structural Defamiliarization in Prokofiev’s Sonata Process (2020)Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century (2021)The archaeology of knowledge ; and, The discourse on language (1972)The Act of Reading (1980)Classic Music: Expression, Form, and Style (1981)Generalized Musical Intervals and Transformations (1988)Musical Forces: Motion, Metaphor, and Meaning in Music (2012)Dynamic cluster structure and predictive modelling of music creation style distributions (2022)The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform (2023)Computational modeling of interval distributions in tonal space reveals paradigmatic stylistic changes in Western music history (2024)Der vollkommene Capellmeister (2025)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2011The ‘routes’ and ‘roots’ ofdanzón: a critique of the history of a genre20 cited
  • 1994Genre, performance and ideology in the early songs of Irving Berlin20 cited
  • 2014Chopin and the Romantic Sonata: The First Movement of Op. 5811 cited
  • 2022The line of fifths and the co-evolution of tonal pitch-classes9 cited
  • 2003Making and remaking5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work