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How Popular Musicians Learn
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How Popular Musicians Learn (2017)How Popular Musicians LearnCulturally responsive and meaningful music education: Multimodality, meaning-making, and communication in diverse learning contexts (2021)Culturally responsive and mea…Editorial: The Impact of Music on Human Development and Well-Being (2020)Editorial: The Impact of Musi…What is music education for? Understanding and fostering routes into lifelong musical engagement (2016)What is music education for? …The Cambridge Companion to the Singer-Songwriter (2016)The Cambridge Companion to th…Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals (2016)Recordings as learning and pr…Dropping in and dropping out: experiences of sustaining and ceasing amateur participation in classical music (2016)Dropping in and dropping out:…Singing and cultural understanding: A music education perspective (2013)Singing and cultural understa…Musical “learning styles” and “learning strategies” in the instrumental lesson: Some emergent findings from a pilot study (2010)Musical “learning styles” and…Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Can improvisation be ‘taught’…Kicking the habitus: power, culture and pedagogy in the secondary school music curriculum (2008)Kicking the habitus: power, c…Choosing music: exploratory studies into the low uptake of music GCSE (2008)Choosing music: exploratory s…Popular Music in School: Remixing the Issues (2007)Popular Music in School: Remi…Compositional Process in Music (2007)Compositional Process in MusicOn musicians and singers. An investigation of different approaches taken by vocal and instrumental teachers in higher education (2006)On musicians and singers. An …Music and informal learning in everyday life (2005)Music and informal learning i…The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band (2004)The impact of informal music …The Social Psychology of Creativity (1983)Apprenticeship in Thinking (1990)Handbook of Creativity (1998)Creating an Educational Framework for Popular Music in Public Schools: Anticipating the Second-Wave (2008)Whose agency matters? Negotiating pedagogical and creative intent during composing experiences (2008)Music education students’ intrinsic and extrinsic motivation: A quantsitative analysis of personal narratives (2020)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Uses of music and psychological well-being among the elderly (2006)Reconceptualising musical learning: new media, identity and community in music education (2010)The Functions of Music for Affect Regulation (2011)Distinction: A Social Critique of the Judgement of Taste* (2018)Noise: The Political Economy of Music (1986)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Pedagogical applications of cognitive research on musical improvisation (2015)Teaching Improvisation through Processes. Applications in Music Education and Implications for General Education (2017)Principled Improvisation to Support Novice Teacher Learning (2019)Multicultural Education: Historical Development, Dimensions, and Practice (1993)Modernity at Large: Cultural Dimensions of Globalization. (1998)Music as social life: the politics of participation (2009)Exploring intercultural sensitivity in early adolescence: a mixed methods study (2017)“We learnt lots in a short time”: Cultural exchange across three universities through songs from different lands (2019)Exploring the effect of music education on intercultural sensitivity in early adolescence: a mixed methods inquiry (2019)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Interactive technologies in the instrumental music classroom: A longitudinal study with the Music Paint Machine (2013)Music-based iPad app preferences of young children (2016)Dalcroze meets technology: integrating music, movement and visuals with the Music Paint Machine (2017)The Interpretation of Music (1955)The Aesthetics of Music (1981)Handbook of Research on Music Teaching and Learning (1992)One-to-one pedagogy: Developing a protocol for illuminating the nature of teaching in the conservatoire (2013)Students’ and teachers’ orientation to learning and performing in music conservatoire lesson interactions (2014)Exploring personality and musical self-perceptions among vocalists and instrumentalists at music colleges (2018)The Logic of Practice (1990)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Language, Knowledge and Pedagogy: Functional Linguistic and Sociological Perspectives (2007)Cumulative and segmented learning: exploring the role of curriculum structures in knowledge‐building (2009)Disciplinarity : functional linguistic and sociological perspectives (2011)The PERMA well-being model and music facilitation practice: Preliminary documentation for well-being through music provision in Australian schools (2017)How Musical Is Man? (1976)The New Handbook Of Research On Music Teaching And Learning (2004)Popular music pedagogy: peer learning in practice (2008)Collaborative learning in higher music education (2014)Engaging students in creative music making with musical instrument application in an online flipped classroom (2021)The Hidden Musicians: Music-Making in an English Town (1989)Young people's music in and out of school (2003)Learning to make music in older adulthood: A mixed-methods exploration of impacts on wellbeing (2013)Cognitive, Motor and Social Factors of Music Instrument Training Programs for Older Adults’ Improved Wellbeing (2020)The Power of Music (2022)The Social and Applied Psychology of Music (2008)Music, Health, and Wellbeing (2012)What is the evidence on the role of the arts in improving health and well-being?: A scoping review (2019)8. Intellectual Development (2022)Wish You Were Here: Mental and Physiological Effects of Remote Music Collaboration in Mixed Reality (2023)The Influence of Music on The Development of a Child (2024)
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  • 2004The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band177 cited
  • 2020Editorial: The Impact of Music on Human Development and Well-Being169 cited
  • 2009Can improvisation be ‘taught’?: A call for free improvisation in our schools150 cited
  • 2005Music and informal learning in everyday life147 cited
  • 2008Choosing music: exploratory studies into the low uptake of music GCSE103 cited
  • 2016Dropping in and dropping out: experiences of sustaining and ceasing amateur participation in classical music83 cited
  • 2007Popular Music in School: Remixing the Issues80 cited
  • 2013Singing and cultural understanding: A music education perspective75 cited
  • 2007Compositional Process in Music73 cited
  • 2006On musicians and singers. An investigation of different approaches taken by vocal and instrumental teachers in higher education60 cited
  • 2008Kicking the habitus: power, culture and pedagogy in the secondary school music curriculum56 cited
  • 2021Culturally responsive and meaningful music education: Multimodality, meaning-making, and communication in diverse learning contexts47 cited
  • 2016What is music education for? Understanding and fostering routes into lifelong musical engagement47 cited

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2016
The Cambridge Companion to the Singer-Songwriter
39 cited
  • 2010Musical “learning styles” and “learning strategies” in the instrumental lesson: Some emergent findings from a pilot study37 cited
  • 2016Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals33 cited