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This book is a shadow cultural history of transplantation as mediated through medical writing, science fiction, life writing and visual arts in a Gothic mode, from the nineteenth century to the present. Works in these genres explore the experience of donors or suppliers, recipients and practitioners, and simultaneously express transfer-related suffering and are complicit in its erasure. Examining texts from Europe, North America and India, the book resists exoticising predatorial tissue economies and considers fantasies of harvest as both product and symbol of 'slow violence' (Rob Nixon), precarity and structural ruination under neoliberal capitalism. Gothic tropes, intertextualities and narrative conventions are used in life writing to express the affective and conceptual challenges of post-transplant being, and used in medical writing to manage the ambiguities of hybrid bodies, as a 'clinical necropoetics'. In their efforts to articulate bioengineered hybridity, these works are not only anxious but speculative. Works discussed include nineteenth-century Gothic, early twentieth-century fiction and film, 1970s American hospital organ theft horror in literature and film, turn-of-the-millennium fiction and film of organ sale, postmillennial science fiction dystopias, life writing and scientific writing from the nineteenth century to the present. Throughout, Gothic representations engage contemporary debates around the management of chronic illness, the changing economics of healthcare and the biopolitics of organ procurement and transplantation – in sum, the strange times and weird spaces of tissue mobilities. The book will be of interest to academics and students researching Gothic studies, science fiction, critical medical humanities and cultural studies of transplantation.
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