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The Future of Allusion: Hollywood in the Seventies (And beyond)
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The Future of Allusion: Hollywood in the Seventies (And beyond) (1982)The Future of Allusion: Hollywood in the …Realist Cinema as World Cinema (2021)Realist Cinema as World CinemaCapítulo 12. Relaciones transmediales e intertextuales en el seno de los ecosistemas narrativos. (2018)Capítulo 12. Relaciones trans…Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood (2016)Transactions with the World: …Superflies into Superkillers: Black Masculinity in Film from Blaxploitation to New Black Realism (2013)Superflies into Superkillers:…James Cameron'sAvatar: access for all (2011)James Cameron'sAvatar: access…The Last great American picture show: new Hollywood cinema in the 1970s (2004)The Last great American pictu…The Last Great American Picture Show (2004)The Last Great American Pictu…The Last Great American Picture Show : New Hollywood Cinema in the 1970s (2004)The Last Great American Pictu…Recycled Culture in Contemporary Art and Film (2003)Recycled Culture in Contempor…Visual and Other Pleasures (1989)Male Subjectivity at the Margins (1993)Geographies of Desire: Postsocial Urban Space and Historical Revision in the Films of Martin Scorsese (2010)New Hollywood in the Rust Belt: Urban Decline and Downtown Renaissance in The King of Marvin Gardens and Rocky (2015)The Presentation of Self in Everyday Life (2023)Black Macho and the Myth of the Superwoman. (1980)Cool Pose: The Dilemmas of Black Manhood in America. (1993)Framing blackness: the African American image in film (1994)Re‐Envisioning Black Masculinity in Luke Cage: From Blaxploitation and Comic Books to Netflix (2020)Seven Types of Ambiguity (1930)All but War Is Simulation: The Military-Entertainment Complex (2000)Puzzle films : complex storytelling in contemporary cinema (2009)Avatar : Stereoscopic Cinema, Gaseous Perception and Darkness (2012)‘There never really is a stereoscopic image’: a closer look at 3-D media (2015)Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water (2019)The Interpretation of Cultures: Selected Essays. (1975)Postmodernism, or, The cultural logic of late capitalism (1991)Modernity at Large: Cultural Dimensions of Globalization. (1998)A Theory of Parody. The Teachings of Twentieth-Century Art Forms (1986)Palimpsests: Literature in the Second Degree (1997)Postmodernism and popular culture (2002)Visual Pleasure and Narrative Cinema (1975)After the Great Divide (1986)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Everything old is good again: Myth and nostalgia in Spider-Man (2009)Introduction: Media and Nostalgia (2014)Retro Aesthetics, Affect, and Nostalgia Effects in Recent US-American Cinema: The Cases of La La Land (2016) and The Shape of Water (2017) (2019)Being and Nothingness: An Essay on Phenomenological Ontology. (1958)Totality and Infinity: An Essay on Exteriority (2011)From The Emancipated Spectator (2025)Understanding popular culture (1990)
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Cited by

  • 2003Recycled Culture in Contemporary Art and Film67 cited
  • 2004The Last great American picture show: new Hollywood cinema in the 1970s52 cited
  • 2013Superflies into Superkillers: Black Masculinity in Film from Blaxploitation to New Black Realism42 cited
  • 2004The Last Great American Picture Show : New Hollywood Cinema in the 1970s31 cited
  • 2011James Cameron'sAvatar: access for all29 cited
  • 2016Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood20 cited
  • 2021Realist Cinema as World Cinema9 cited
  • 2004The Last Great American Picture Show6 cited
  • 2018Capítulo 12. Relaciones transmediales e intertextuales en el seno de los ecosistemas narrativos.1 cited

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