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Noninvasive Analysis of Paintings by Mid‐infrared Hyperspectral Imaging

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2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
2010Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork187 cited
2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
2008ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London127 cited
2012Near Infrared Reflectance Imaging Spectroscopy to Map Paint Binders In Situ on Illuminated Manuscripts108 cited
2010Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies88 cited
2010An integrated spectroscopic approach for the non-invasive study of modern art materials and techniques83 cited
2010Revealing the sfumato Technique of Leonardo da Vinci by X‐Ray Fluorescence Spectroscopy66 cited
2008Saving art in situ51 cited
2011High energy X-ray powder diffraction for the imaging of (hidden) paintings44 cited
2001Analytical study of canvas painting collection from the Basilica de la Virgen de los Desamparados using SEM/EDX, FT-IR, GC and electrochemical techniques

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