SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sum Class
14 references·2 citing·30 second hop
Sum Class (2018)Sum ClassAudacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …Twelve-Tone Music in America (2010)Twelve-Tone Music in AmericaGeneralized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…Voice Leading in Set-Class Space (2005)Voice Leading in Set-Class Sp…The Theory and Practice of Chromatic Wedge Progressions in Romantic Music (2004)The Theory and Practice of Ch…Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Thoughts on Klumpenhouwer Networks and Perle-Lansky Cycles (2002)Thoughts on Klumpenhouwer Net…Perle's Cyclic Sets and Klumpenhouwer Networks: A Response (2002)Perle's Cyclic Sets and Klump…Isographies and Some Klumpenhouwer Networks They Involve (2002)Isographies and Some Klumpenh…Stravinsky's Late Music (2001)Stravinsky's Late MusicSome Ideas about Voice-Leading between PCSets (1998)Some Ideas about Voice-Leadin…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …An Introduction to the Music of Milton Babbitt (1994)An Introduction to the Music …Violin Fingerboard Space (2024)Violin Fingerboard SpaceDiatonic Voice-Leading Transformations (2023)Diatonic Voice-Leading Transf…Maximally Even Sets (1991)The Geometry of Musical Chords (2006)Set-Class Similarity, Voice Leading, and the Fourier Transform (2008)Three Conceptions of Musical Distance (2009)Perspectives of New Music (1963)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)The Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)Art music from 1800 to 1860 (1998)Cross-Type Transformations and the Path Consistency Condition (2007)Formal Structures in Post-Tonal Music (2015)Continuous Transformations (2004)Continuous Harmonic Spaces (2007)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)Reconsidering Klumpenhouwer Networks (2007)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Scale Networks and Debussy (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Tonality and transformation (2012)A Platonic Model of Funky Rhythms (2016)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)The Music of Louis Andriessen (2007)Contextual-Inversion Spaces (2011)Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works (2020)
this work references cited by second hop

References

  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 1994An Introduction to the Music of Milton Babbitt111 cited
  • 2001Stravinsky's Late Music91 cited
  • 1998Some Ideas about Voice-Leading between PCSets60 cited
  • 2005Voice Leading in Set-Class Space55 cited
  • 2002Isographies and Some Klumpenhouwer Networks They Involve52 cited
  • 2010Twelve-Tone Music in America39 cited
  • 2004The Theory and Practice of Chromatic Wedge Progressions in Romantic Music37 cited
  • 2002Thoughts on Klumpenhouwer Networks and Perle-Lansky Cycles19 cited
  • 2002Perle's Cyclic Sets and Klumpenhouwer Networks: A Response11 cited

Cited by

  • 2023Diatonic Voice-Leading Transformations4 cited
  • 2024

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Violin Fingerboard Space
4 cited