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Reception and Recomposition in the Polyphonic Conductus cum caudis: The Metz Fragment
6 references·1 citing·26 second hop
Reception and Recomposition in the Polyphonic Conductus cum caudis: The Metz Fragment (2000)Reception and Recomposition in the Polyph…From Song to Book (2019)From Song to BookMnemotechnics and Notre Dame Polyphony (1996)Mnemotechnics and Notre Dame …Zum genetischen Verhaltnis zwischen Notre-Dame-Klauseln und ihren Motetten (1987)Zum genetischen Verhaltnis zw…Musical Declamation and Poetic Rhythm in an Early Layer of Notre Dame Conductus (1979)Musical Declamation and Poeti…Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript (1972)Thirteenth-Century Illuminate…Benedicamus, Conductus, Carol: A Newly-Discovered Source (1965)Benedicamus, Conductus, Carol…Discovering Medieval Song (2018)Discovering Medieval SongSource Readings in Music History (1950)The Notation of Polyphonic Music, 900-1600 (1950)Der Musiktraktat des Anonymus 4 (1967)The Frontispiece of Gafori's Practica Musicae (1496) (1974)The Origins of W1 (1976)Accent, Meter, and Rhythm in Medieval Treatises "De rithmis" (1987)The Art of Memory (1966)Orality and Literacy (1982)Orality and Literacy (2003)Orality, Literacy, and the Early Notation of the Office Hymns (2003)The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma and the Divine Received: Embodiment of Krishnacore (2015)The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century (2016)Duple Rhythm and Alternate Third Mode in the 13th Century (1962)Johannes de Garlandia: de Mensurabili Musica (1973)Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique (1998)Notre Dame'S new clothes (2014)Elegiacs by Gallus from Qaṣr Ibrîm (1979)Space Between Words (1997)Oxford Dictionary of National Biography (2004)"Benedicamus Domino": The Unwritten Tradition (1988)The Earliest Motets: Music and Words (1989)Song and Quotation in Two-Voice Motets for Saint Elizabeth of Hungary (2017)GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’ (2019)The Beginnings of Medieval Romance (2002)Medieval English Literature and the Idea of the Anthology (2003)Against Narrative: A Preface to Lyrical Sociology (2007)
this work references cited by second hop

References

  • 2019From Song to Book163 cited
  • 1972Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript55 cited
  • 1965Benedicamus, Conductus, Carol: A Newly-Discovered Source42 cited
  • 1979Musical Declamation and Poetic Rhythm in an Early Layer of Notre Dame Conductus30 cited
  • 1987Zum genetischen Verhaltnis zwischen Notre-Dame-Klauseln und ihren Motetten30 cited
  • 1996Mnemotechnics and Notre Dame Polyphony25 cited

Cited by

  • 2018Discovering Medieval Song11 cited

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