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Introduction
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Introduction (2015)IntroductionTheatre & Animals (2013)Theatre & AnimalsEditorial Comment: Interspecies Performance (2013)Editorial Comment: Interspeci…Animal Ontologies and Media Representations: Robotics, Puppets, and the Real of War Horse (2013)Animal Ontologies and Media R…Wild and dangerous performances: animals, emotions, circus (2012)Wild and dangerous performanc…The Animal Apparatus: From a Theory of Animal Acting to an Ethics of Animal Acts (2007)The Animal Apparatus: From a …Stage Fright, Animals, and Other Theatrical Problems (2006)Stage Fright, Animals, and Ot…Becoming-Animate: On the Performed Limits of "Human" (2006)Becoming-Animate: On the Perf…The Companion Species Manifesto : Dogs, People, and Significant Otherness (2003)The Companion Species Manifes…Animal Geographies: Zooesis and the Space of Modern Drama (2003)Animal Geographies: Zooesis a…Editorial: On Animals (2000)Editorial: On AnimalsA Thousand Plateaus (1980)A Thousand Plateaus: Capitalism and Schizophrenia (1989)When Species Meet (2007)Replacing injured horses, cross-dressing and dust: modernist circus technologies in Asia (2018)Of assemblages, affordances, and actants – or the performer as bodyworld: the case of puppet and material performance (2020)The Country and the City (1973)Simulacra and Simulation (1995)Animalizing Performance, Becoming-Theatre: Inside Zooesis with The Animal Project at NYU (2006)Beyond Bambi: Toward a Dangerous Ecocriticism in Theatre Studies (2007)The Salon of Becoming-Animal (2007)The Cinematic Apparatus (1981)The Postmodern Animal (2000)Against the Image: Herzog and the Troubling Politics of the Screen Animal (2008)Investigating the Patterns of Value-Oriented Innovations in Blue Ocean Strategy (2012)Beyond resistance: Geographies of divergent more-than-human conduct in robotic milking (2019)Writing and Difference (1980)Passionate amateurs: theatre, communism, and love (2014)Improvisation and Social Aesthetics (2017)The Interpretation of Cultures (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)Furry Cartography: Performing Species (2011)Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance (2012)Introduction: real animals on the stage (2018)Phytomorphizing performance: plant performance in an expanded field (2019)Mapping the “naturecultural turn” in performance studies (2021)Fighting Nature : Travelling Menageries, Animal Acts and War Shows (2015)Circus animals and the illusion of wildness (2017)Killers: Orcas and Their Followers (2017)Sea World – Gold Coast, Australia’s discourse of legitimation: signage and live animal shows (2015–2018) as indicators of change in messaging (2020)Human-Machine Reconfigurations: Plans and Situated Actions (2006)Actor Network Theory and Material Semiotics (2008)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)
this work references cited by second hop

References

  • 2003The Companion Species Manifesto : Dogs, People, and Significant Otherness3,611 cited
  • 2006Stage Fright, Animals, and Other Theatrical Problems279 cited
  • 2007The Animal Apparatus: From a Theory of Animal Acting to an Ethics of Animal Acts40 cited
  • 2003Animal Geographies: Zooesis and the Space of Modern Drama39 cited
  • 2012Wild and dangerous performances: animals, emotions, circus28 cited
  • 2013Theatre & Animals27 cited
  • 2006Becoming-Animate: On the Performed Limits of "Human"20 cited
  • 2013Animal Ontologies and Media Representations: Robotics, Puppets, and the Real of War Horse13 cited
  • 2000Editorial: On Animals13 cited
  • 2013Editorial Comment: Interspecies Performance10 cited

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