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Art after Money, Money after Art
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Art after Money, Money after Art (2018)Art after Money, Money after ArtSpeculative labour: The financialized imagination of creative work and the assetization of digital art through non-fungible tokens (NFTs) (2025)Speculative labour: The finan…From private collection to public museum: Walid Raad’s investigation of the Thyssen-Bornemisza Collection (Madrid) (2025)From private collection to pu…Financialization of music: song management firms and fractionalized copyright (2024)Financialization of music: so…Introduction: Artistic Practice and Social Outcomes in a Market-Driven Landscape (2022)Introduction: Artistic Practi…Art markets, epistemic authority, and the institutional curation of knowledge (2022)Art markets, epistemic author…Screen culture, online auctions, and art market spectacle (2021)Screen culture, online auctio…Art as Critique under Neoliberalism: Negativity Undoing Economic Naturalism (2021)Art as Critique under Neolibe…Disappearing acts: fictitious capital, aesthetic atheism, and the artworld (2020)Disappearing acts: fictitious…New forms: Anthropocene Festivals and experimental environmental governance (2019)New forms: Anthropocene Festi…Publics and Counterpublics (2002)Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern (2004)Capital: A Critique of Political Economy (2020)Conservation acoustics: Animal sounds, audible natures, cheap nature (2021)Digital ecologies: Materialities, encounters, governance (2022)Great transformation: The political and economic origins of our time (1944)Ethics and the Limits of Philosophy (2006)Великая трансформация: политические и экономические истоки нашего времени (2010)A Thousand Plateaus (1980)Postmodernism, or, The cultural logic of late capitalism (1991)The New Spirit of Capitalism (2005)The Artworld (1964)Art and the Aesthetic: An Institutional Analysis (1975)The Sum of Small Things (2017)Introduction: The Embeddedness of Economic Markets in Economics (1998)Do economists make markets?: on the performativity of economics (2007)Epistemic Injustice (2007)Behind the words: a quantitative analysis of museums’ tweets (2024)A Postcapitalist Politics (2006)Suspending Damage: A Letter to Communities (2009)The Precariat (2011)The Economic Structure of Intellectual Property Law (2003)The financialization of the American economy (2005)Theorizing financialization (2011)Mirroring the inequalities of mainstream music platforms: popularity, revenue, and monetization strategies on Bandcamp (2024)Music festivals in small and medium-sized Spanish cities: between place dependency and spatial unboundedness, ongoing festivalization and processes of financialization (2025)Renting royalties: How the assetization of music copyrights contributes to inequality for musicians (2025)What is Wrong with Social Theory? (1954)The Rules of Art (1996)Theory Construction in Qualitative Research (2012)Meeting the Universe Halfway (2006)Infinitely demanding: ethics of commitment, politics of resistance (2008)Intra-active Entanglements – An Interview with Karen Barad (2012)
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  • 2019New forms: Anthropocene Festivals and experimental environmental governance15 cited
  • 2022Art markets, epistemic authority, and the institutional curation of knowledge12 cited
  • 2024Financialization of music: song management firms and fractionalized copyright9 cited
  • 2025Speculative labour: The financialized imagination of creative work and the assetization of digital art through non-fungible tokens (NFTs)4 cited
  • 2021Screen culture, online auctions, and art market spectacle4 cited
  • 2021Art as Critique under Neoliberalism: Negativity Undoing Economic Naturalism4 cited
  • 2020Disappearing acts: fictitious capital, aesthetic atheism, and the artworld4 cited
  • 2022Introduction: Artistic Practice and Social Outcomes in a Market-Driven Landscape2 cited
  • 2025From private collection to public museum: Walid Raad’s investigation of the Thyssen-Bornemisza Collection (Madrid)1 cited

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