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The Address of the Eye: A Phenomenology of Film Experience
0 references·16 citing·47 second hop
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Cited by

  • 2019The Empathic Screen123 cited
  • 2012Jean Epstein : Critical Essays and New Translations107 cited
  • 2009Handbook of Phenomenological Aesthetics67 cited
  • 2006On the Meaning of Screens: Towards a Phenomenological Account of Screenness65 cited
  • 2019Sound Design is the New Score61 cited
  • 2004The ontological screening of contemporary life: a phenomenological analysis of screens55 cited
  • 2021AI for Everyone? Critical Perspectives53 cited
  • 2017Visualizing Surfaces, Surfacing Vision: Introduction47 cited
  • 2003Don DeLillo's “In the Ruins of the Future”: Literature, Images, and the Rhetoric of Seeing 9/1145 cited
  • 2015Feminisms42 cited
  • 2008Transfigurations : Violence, Death and Masculinity in American Cinema40 cited
  • 2016Found-Footage Horror and the Frame’s Undoing36 cited
  • 2011Das Zuschauergefühl. Möglichkeiten qualitativer Medienanalyse36 cited
  • 2004Sex Acts: Two Meditations on Race and Sexuality36 cited
  • 2020Screen Space Reconfigured35 cited
  • 2010

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The Diving Bell and the Butterfly as an Emotional Event
31 cited