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The Ethnography of Musical Performance
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The Ethnography of Musical Performance (1982)The Ethnography of Musical PerformanceInvestigating Musical Performance (2020)Investigating Musical Perform…Linguistic creativity and the production of cisheteropatriarchy: A comparative analysis of improvised rap battles in Los Angeles and Cape Town (2017)Linguistic creativity and the…Focusing Perspectives and Establishing Boundaries and Power: Why the Suyá/Kïsêdjê Sing for the Whites in the Twenty-first Century (2013)Focusing Perspectives and Est…"Narrativas musicais: performance e experiência na música popular instrumental brasileira" (2005)"Narrativas musicais: perform…Re-placing Performance: A case study of the Yukon music scene in the Canadian north (2001)Re-placing Performance: A cas…EMBRACING THE ROLE OF AMATEUR (1997)EMBRACING THE ROLE OF AMATEURPerformance, Transformation, and Community: Contra Dance in New England (1993)Performance, Transformation, …Popular Indian South African music: division in diversity (1991)Popular Indian South African …Music Learning and Song Acquisition among Native Americans (1989)Music Learning and Song Acqui…Outline of a Theory of Practice (1977)Local Indicators of Spatial Association—LISA (1995)Principles of geographical information systems (1998)Mimesis and alterity: a particular history of the senses (1993)Cosmological Deixis and Amerindian Perspectivism (1998)Ethnicity, Inc. (2009)Teton Sioux Music (1918)Music in Primitive Culture (1956)Music in Primitive Culture (1957)Transmission of Araquio Music, Songs, and Movement Conventions: Learning, Experience, and Meaning in Devotional Theatre (2017)Making artistic popular music: the goal of true folk (1981)The Ethnography of Musical Performance (1985)Mbaqanga, Bollywood and Beethoven on the Beachfront: A Composer's Perspective on Representation and Identity in the FilmMy Black Little Heart (2009)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter: On the Discursive Limits of "Sex". (1995)Pathways And Pilgrimages: The In-Between Spaces in the Patria Cycle1 (2008)Bodies That Matter (2011)The Presentation of Self in Everyday Life. (1956)Stigma: Notes on the Management of Spoiled Identity (1969)Popular Communication in the Contemporary Age (2001)Karaoke’s coming home: Japan’s empty orchestras in the United Kingdom (2011)The Presentation of Self in Everyday Life (2023)The anthropology of experience (1986)Optimal Experience (1988)How Societies Remember (1989)Definition of Community in Old Time Dancing in Rural Southwest Virginia (1994)DANCING AT THE INTERFACE OF THE SOCIAL AND THE THEATRICAL: FOCUS ON THE PARTICIPATORY PATTERNS OF CONTEMPORARY COMPETITION BALLROOM DANCERS IN BRITAIN (1999)“We Were the Choreographers; the Dance Teachers Were the Helpers”: Student Perceptions of Learning in a Dance Outreach Program Interpreted Through a Lens of 21st-Century Skills (2017)Language in the inner city: studies in the Black English Vernacular. By William Labov. Philadelphia: University of Pennsylvania Press, 1972. Pp. xxiv, 412. $6.95. (1975)The Subject and Power (1982)Language and Social Relations (2006)Transforming Our Mission: Animating Teacher Education through Intersectional Justice (2019)Integrating Intersectionality into the Study of Learning (2020)Language and Masculinities: History, Development, and Future (2020)Explorations in the Ethnography of Speaking (1989)Performance Studies: An Introduction (2003)
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  • 2017Linguistic creativity and the production of cisheteropatriarchy: A comparative analysis of improvised rap battles in Los Angeles and Cape Town20 cited
  • 1993Performance, Transformation, and Community: Contra Dance in New England17 cited
  • 1997EMBRACING THE ROLE OF AMATEUR12 cited
  • 1989Music Learning and Song Acquisition among Native Americans7 cited
  • 2005"Narrativas musicais: performance e experiência na música popular instrumental brasileira"6 cited
  • 2001Re-placing Performance: A case study of the Yukon music scene in the Canadian north5 cited
  • 1991Popular Indian South African music: division in diversity5 cited
  • 2013Focusing Perspectives and Establishing Boundaries and Power: Why the Suyá/Kïsêdjê Sing for the Whites in the Twenty-first Century4 cited
  • 2020Investigating Musical Performance3 cited

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