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Cited by

• 2010Popular Geopolitics 2.0: Towards New Methodologies of the Everyday224 cited
• 2010Empathy and Identification in Cinema105 cited
• 2015Embodiment of Narrative Engagement70 cited
• 2018Cinematic/Trans*/Bodies Now (and Then, and to Come)69 cited
• 2015The emotional experience of films: does Audio Description make a difference?68 cited
• 2018A psychology of the film67 cited
• 2010Fiction Film and the Varieties of Empathic Engagement51 cited
• 2018Emotion and Narrative47 cited
• 2011Wes Anderson, tone and the quirky sensibility41 cited
• 2018Characterization and Character Engagement in the Documentary39 cited
• 2019Empathy and Sympathy: Two Contemporary Models of Character Engagement38 cited
• 2016Films and Existential Feelings30 cited
• 2014Carl Dreyer's Corpse27 cited
• 2012Horror Films and the Argument from Reactive Attitudes27 cited
• 2017Introduction: Affect and Texts: Contemporary Inquiry in Historical Context25 cited
• 2016