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Nationalism in Contemporary Western European Cinema
16 references·0 citing·35 second hop
Nationalism in Contemporary Western European Cinema (2018)Nationalism in Contemporary Western Europ…Transnational Connections (2023)Transnational Connections‘Shine Bright Like a Diamond’: music, performance and digitextuality in Céline Sciamma’sBande de filles(2014) (2017)‘Shine Bright Like a Diamond’…3. A Semantic/Syntactic Approach to Film Genre (2012)3. A Semantic/Syntactic Appro…Locating Migrant and Diasporic Cinema in Contemporary Europe (2010)Locating Migrant and Diaspori…Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation (2010)Hip-Hop Culture in a Global C…Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)Concepts of transnational cin…Reframing Difference: ‘Beur’ and ‘banlieue’ Film-Making in France (2006)Reframing Difference: ‘Beur’ …FRAMING NATIONAL CINEMAS (2005)FRAMING NATIONAL CINEMASEuropean Cinema : Face to Face with Hollywood (2005)European Cinema : Face to Fac…Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe (2003)Spaghetti Funk: Appropriation…An accented cinema: exilic and diasporic filmmaking (2002)An accented cinema: exilic an…Split screen: Belgian cinema and cultural identity (2001)Split screen: Belgian cinema …A nation of millions: Hip hop culture and the legacy of black nationalism (2001)A nation of millions: Hip hop…The Francophone film : a struggle for identity (2000)The Francophone film : a stru…Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The Cultur…Nations and Nationalism. (1984)Nations and Nationalism.Disjuncture and Difference in the Global Cultural Economy (1990)The Black Atlantic: Modernity and Double Consciousness. (1997)We, the People of Europe? (2009)What is transnational cinema? Thinking from the Chinese situation (2010)Cultural globalization and the dominance of the American film industry: cultural policies, national film industries, and transnational film (2013)The Cambridge Handbook of Intercultural Communication (2020)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)The Location of Culture (2012)Londoners and Outlanders: Polish Labour Migration through the European Lens (2013)Intercultural Film: Fiction Film as Audio-Visual Documents of Interculturality (2017)The Cultural Practice of Immigrant Filmmaking (2019)Film festival research from an organizational studies perspective (2010)Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? (2014)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)The global hip-hop Diaspora: Understanding the culture (2007)Languages of Global Hip Hop (2012)Translocal style communities (2015)Évolution du verlan, marqueur social et identitaire, dans les films: La Haine (1995) et L’Esquive (2004) (2010)The eighteenth-century novel (2011)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Intervention in new amateur subtitling cultures: a multimodal account (2021)Multilingualism at the multiplex: a new audience for screen translation? (2021)The autonomous power of the state: its origins, mechanisms and results (1984)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)Multicultural Citizenship (1996)Genrediskurs (2020)“Yesterday once more:” IP film, phantom/fandom of music, and the youthful (re)turn of Chinese cinema in the age of new digital media (2021)Genre and “Genring” in Music Education (2022)Territoriality and beyond: problematizing modernity in international relations (1993)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Brand Community (2001)The Anthropology of Online Communities (2002)Maddening States (2003)Transidiomatic practices: Language and power in the age of globalization (2005)
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References

  • 1992Postmodernism, or, The Cultural Logic of Late Capitalism7,061 cited
  • 1984Nations and Nationalism.6,932 cited
  • 2010Concepts of transnational cinema: towards a critical transnationalism in film studies415 cited
  • 2002An accented cinema: exilic and diasporic filmmaking216 cited
  • 2005European Cinema : Face to Face with Hollywood201 cited
  • 2006Reframing Difference: ‘Beur’ and ‘banlieue’ Film-Making in France191 cited
  • 2003Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe144 cited
  • 2023Transnational Connections143 cited
  • 2010Locating Migrant and Diasporic Cinema in Contemporary Europe57 cited
  • 20123. A Semantic/Syntactic Approach to Film Genre56 cited
  • 2001A nation of millions: Hip hop culture and the legacy of black nationalism45 cited
  • 2005FRAMING NATIONAL CINEMAS42 cited
  • 2010Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation32 cited
  • 2000The Francophone film : a struggle for identity24 cited
  • 2001Split screen: Belgian cinema and cultural identity22 cited
  • 2017‘Shine Bright Like a Diamond’: music, performance and digitextuality in Céline Sciamma’sBande de filles(2014)

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