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Screenic (Re)orientations: Desktop, Tabletop, Tablet, Booklet, Touchscreen, Etc.
16 references·0 citing·29 second hop
Screenic (Re)orientations: Desktop, Tabletop, Tablet, Booklet, Touchscreen, Etc. (2021)Screenic (Re)orientations: Desktop, Table…The Screenic Image: Between Verticality and Horizontality, Viewing and Touching, Displaying and Playing (2016)The Screenic Image: Between V…Intersections between Showing and Concealment in the History of the Concept of Screen (2016)Intersections between Showing…Gestures of Touch in Recent Video Art: Toward a New Haptic Mode (2016)Gestures of Touch in Recent V…De-coding or Re-Encoding? (2016)De-coding or Re-Encoding?Gestures (2014)GesturesThe Productivity of the Prototype: On Julien Maire’s ‘Cinema of Contraptions’ (2012)The Productivity of the Proto…The Interface Effect (2012)The Interface EffectFrontality: The Imperial Look from Christ the Pantocrator to Napoleon Bonaparte (2011)Frontality: The Imperial Look…A deictic turn: space and location in contemporary gallery film and video installation (2010)A deictic turn: space and loc…The Passage from Material to Interface (2007)The Passage from Material to …Pilgrimage, tapestries, and cartography: sixteenth-century wall hangings commemorating a pilgrimage to the Holy Land (2007)Pilgrimage, tapestries, and c…Elements of screenology: Toward an Archaeology of the Screen (2006)Elements of screenology: Towa…Room for experiment: gallery films and vertical time from Maya Deren to Eija Liisa Ahtila (2004)Room for experiment: gallery …It’s all about the Fit: The Hand, the Mobile Screenic Device and Tactile Vision (2004)It’s all about the Fit: The H…A Voyage on the North Sea: Art in the Age of the Post-Medium Condition (2000)A Voyage on the North Sea: Ar…From ritual to theatre : the human seriousness of play (1982)From ritual to theatre : the …Understanding Media: The Extensions of Man (1964)Charles Baudelaire: A Lyric Poet in the Era of High Capitalism (1973)Camera Lucida: Reflections on Photography (2001)Visualising everyday geographies: practices of vision through travel‐time (2008)Drawing(Past, Present, and Future) Together: A(Graphic) Look at the Reconceptualization of Art Education (2010)Mobile screens: the visual regime of navigation (2012)The Middle Byzantine Sanctuary Barrier: Templon or Iconostasis? (1981)Imago mundi: cosmological and ideological aspects of the shield of Achilles (1985)Screen Genealogies (2019)Performing Autoethnography: An Embodied Methodological Praxis (2001)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Remembering Cinema "Elsewhere": From Retrospection to Introspection in the Gallery Film (2012)Screen Space Reconfigured (2020)Screen Space Reconfigured (2020)‘The kaleidoscopic conditions’ of John Akomfrah’s Stuart Hall (2022)Computer Interface as Film: Post-Media Aesthetics of Desktop Documentary (2019)Suture Goes Meta: Desktop Documentary and its Narrativization of Screen-Mediated Experience (2022)Screen Tests: Why Do We Need an Archaeology of the Screen? (2012)Self-Negating Images: Towards An-Iconology (2017)Embodiment in Human Communication (2015)Introduction: Towards an Ethics of Gesture (2017)Visualizing Surfaces, Surfacing Vision: Introduction (2017)Digital Rubbish (2011)Geography and art. An expanding field (2012)Anywhere or not at all: philosophy of contemporary art (2014)The cultural work of microwork (2013)Can an Algorithm be Agonistic? Ten Scenes from Life in Calculated Publics (2015)Knowing and governing cities through urban indicators, city benchmarking and real-time dashboards (2015)
this work references cited by second hop

References

  • 1982From ritual to theatre : the human seriousness of play1,707 cited
  • 2000A Voyage on the North Sea: Art in the Age of the Post-Medium Condition445 cited
  • 2012The Interface Effect335 cited
  • 2014Gestures136 cited
  • 2004It’s all about the Fit: The Hand, the Mobile Screenic Device and Tactile Vision99 cited
  • 2006Elements of screenology: Toward an Archaeology of the Screen90 cited
  • 2004Room for experiment: gallery films and vertical time from Maya Deren to Eija Liisa Ahtila36 cited
  • 2010A deictic turn: space and location in contemporary gallery film and video installation19 cited
  • 2016The Screenic Image: Between Verticality and Horizontality, Viewing and Touching, Displaying and Playing14 cited
  • 2016Intersections between Showing and Concealment in the History of the Concept of Screen12 cited
  • 2007Pilgrimage, tapestries, and cartography: sixteenth-century wall hangings commemorating a pilgrimage to the Holy Land9 cited
  • 2007The Passage from Material to Interface7 cited
  • 2011Frontality: The Imperial Look from Christ the Pantocrator to Napoleon Bonaparte6 cited
  • 2016De-coding or Re-Encoding?6 cited
  • 2012The Productivity of the Prototype: On Julien Maire’s ‘Cinema of Contraptions’

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5 cited
  • 2016Gestures of Touch in Recent Video Art: Toward a New Haptic Mode4 cited
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