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Cited by

• 2007Efficiency and the Bear: Short Sales and Markets Around the World821 cited
• 2009Creativity from interaction: Artistic movements and the creativity careers of modern painters83 cited
• 2005Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer61 cited
• 2019Arts and Culture41 cited
• 1995The role of Dutch auctions and lotteries in shaping the art market(s) of 17th century Holland27 cited
• 2015Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-166014 cited
• 2020Johannes Vermeer’s Mistress and Maid: new discoveries cast light on changes to the composition and the discoloration of some paint passages12 cited
• 2013Quantitative Analysis of Artists’ Characteristic Styles through Biologically-Motivated Image Processing Techniques: Uncovering a Mentor to Johannes Vermeer8 cited
• 2014‘Most rare workmen’: optical practitioners in early seventeenth-century Delft8 cited
• 2011Vermeer's Robe: Costume, Commerce, and Fantasy in the Early Modern Netherlands7 cited
• 1997Art and Appropriability in Renaissance Italy and The Netherlands in the Seventeenth Century: The Role of the Academy7 cited
• 2017Interiors and interiority in Vermeer: empiricism, subjectivity, modernism2 cited
• 1999Is the History of Dress Marginal? Some Thoughts on Costume in Seventeenth-Century Painting