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Affective Intensities in Extreme Music Scenes
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Cited by

  • 2016Babymetal and the ambivalence of cuteness19 cited
  • 2023Female Subjectivities in the Words, Music, and Images of Progressive Metal16 cited
  • 2017Consuming abjection: an examination of death and disgust in the black metal scene14 cited
  • 2021‘The Vibe is Really Important’: Experiencing Hip-hop and Performance Poetry in Dar es Salaam10 cited
  • 2016We are the Sons of the Southern Cross7 cited
  • 2019‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects?7 cited
  • 2016The Gendered Experience of Music6 cited
  • 2019“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community4 cited
  • 2021“Saudades da festa!”: Triggering sensory memories of DIY electronic music through multimodal practices3 cited
  • 2019‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive3 cited
  • 2019‘A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage2 cited

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