SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Television Drama
0 references·16 citing·44 second hop
Television Drama (2000)Television DramaThe Colour of Social Realism (2018)The Colour of Social RealismSmall Screen IR: A Tentative Typology of Geopolitical Television (2017)Small Screen IR: A Tentative …Feeling Northern: ‘heroic women’ in Sally Wainwright’sHappy Valley(BBC One, 2014—) (2016)Feeling Northern: ‘heroic wom…Television Aesthetics: A Pre-structuralist Danger? (2011)Television Aesthetics: A Pre-…Scripted Spaces (2011)Scripted SpacesEverybody Hurts: Addiction, Drama, and the Family in the Reality Television ShowIntervention (2011)Everybody Hurts: Addiction, D…The Production of Television Fiction and Nation Building (2007)The Production of Television …Re-presenting war (2007)Re-presenting warFROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF (2007)FROM THE BOX IN THE CORNER TO…Television Aesthetics: an Infantile Disorder (2006)Television Aesthetics: an Inf…A seat with a view (2006)A seat with a viewThe Cambridge History of Twentieth-Century English Literature (2005)The Cambridge History of Twen…Literature and cinema (2005)Literature and cinemaEXEMPLARITY, PEDAGOGY AND TELEVISION HISTORY (2005)EXEMPLARITY, PEDAGOGY AND TEL…Finding Data, Reading Patterns, Telling Stories: Issues in the Historiography of Television (2003)Finding Data, Reading Pattern…Issues of judgement and value in television studies (2001)Issues of judgement and value…Imperial Eyes (1900)Sister Outsider: Essays and Speeches (1984)Life on the Screen: Identity in the Age of the Internet (1997)An imaginary England: Nation, landscape and literature (2007)Reading the Ruins: Modernism, Bombsites and British Culture (2011)The Modern Synthesis: Genetics and Dystopia in the Huxley Circle (2016)Television: Technology and Cultural Form (1974)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)Content Analysis: An Introduction to its Methodology. (1984)Nations and Nationalism. (1984)Television news, narrative conventions and national imagination (2009)The Nation as a Political Stage (2009)Cultural politics in the South Korean cultural industries: confrontations between state-developmentalism and neoliberalism (2018)Content Analysis: An Introduction to Its Methodology (2019)Science fiction audiences: watching Doctor Who and Star Trek. (1995)TV Drama in Transition (1997)The Intimate Screen (2000)WORKER BLOWBACK: (2011)Time and Narrative, Volume 3 (1988)Make Room for TV (1992)Is Archiving a Feminist Issue?: Historical Research and the Past, Present, and Future of Television Studies (2008)Ten years of radio studies: The very idea (2009)Taking Time Seriously? Theorizing and Researching Change in Communication and Media Studies (2016)The World Viewed. Reflections on the Ontology of Film. (1972)The World Viewed: Reflections on the Ontology of Film. (1974)Televisuality: style, crisis, and authority in American television (1996)Television drama: realism, modernism, and British culture (2000)Broadcast drama and the problem of television aesthetics: home, nation, universe (2016)Cinema I (1986)The Beaten Track (1993)Motion picture impacts on destination images (2003)Watching Dallas: Soap Opera and the Melodramatic Imagination (1985)Family Secrets: Acts of Memory and Imagination (1995)Looking North: Northern England and the National Imagination (2004)Women, soap opera and new generations of feminists (2016)A Regional Company? RED Production and the Cultural Politics of Place (2019)Wainwright's West Yorkshire: Affect and Landscape in the Television Drama of Sally Wainwright (2019)Ways of Worldmaking (1978)The Past is a Foreign Country (1986)Modernity at Large: Cultural Dimensions of Globalization. (1998)Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes (2020)Globalización y poder: la consolidación de la comunicación internacional como disciplina. Artículo de revisión (2020)Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2005The Cambridge History of Twentieth-Century English Literature97 cited
  • 2007FROM THE BOX IN THE CORNER TO THE BOX SET ON THE SHELF85 cited
  • 2001Issues of judgement and value in television studies74 cited
  • 2003Finding Data, Reading Patterns, Telling Stories: Issues in the Historiography of Television52 cited
  • 2007The Production of Television Fiction and Nation Building47 cited
  • 2006Television Aesthetics: an Infantile Disorder42 cited
  • 2016Feeling Northern: ‘heroic women’ in Sally Wainwright’sHappy Valley(BBC One, 2014—)41 cited
  • 2017Small Screen IR: A Tentative Typology of Geopolitical Television41 cited
  • 2005EXEMPLARITY, PEDAGOGY AND TELEVISION HISTORY33 cited
  • 2006A seat with a view25 cited
  • 2011Scripted Spaces22 cited
  • 2011Everybody Hurts: Addiction, Drama, and the Family in the Reality Television ShowIntervention21 cited
  • 2007Re-presenting war19 cited
  • 2005Literature and cinema18 cited
  • 2011Television Aesthetics: A Pre-structuralist Danger?17 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2018
The Colour of Social Realism
16 cited