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Reconsidering rock
0 references·16 citing·50 second hop
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  • 2010‘… This little ukulele tells the truth’: indie pop and kitsch authenticity126 cited
  • 2010Authenticity Revisited: The Rock Critic and the Changing Real125 cited
  • 2019SoundCloud and Bandcamp as Alternative Music Platforms110 cited
  • 2013It’s really not hip to be a hipster: Negotiating trends and authenticity in the cultural field105 cited
  • 2016Selling Out: Musicians, Autonomy, and Compromise in the Digital Age99 cited
  • 2010I Did It My Way: Rock and the Logic of Covers88 cited
  • 2011Promotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity”73 cited
  • 2019Das populärmusikalische Selbst zwischen Öffentlichkeit und Privatsphäre47 cited
  • 2014‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’36 cited
  • 2011The Historical Consciousness of Sunshine Pop32 cited
  • 2014How do authenticity dramas develop? An analysis of Afterhours fans’ responses to the band’s participation in the Sanremo music festival27 cited
  • 2020The cost of music26 cited
  • 2007Outside the Gates of Eden: Utopia and Work in Rock Music25 cited
  • 2010Contesting the Global Consumption Ethos: Reterritorialization of Rock in Turkey

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24 cited
  • 2007Competition, Selection and Rock and Roll: The Economics of Payola and Authenticity22 cited
  • 2012Representing popular music stardom on screen: the popular music biopic22 cited