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By Way of Introduction: Preluding by 18th- and Early 19th-Century Pianists
0 references·6 citing·23 second hop
By Way of Introduction: Preluding by 18th- and Early 19th-Century Pianists (1996)By Way of Introduction: Preluding by 18th…The varying social dynamics in orally transmitted and notated vs. improvised musical performance (2023)The varying social dynamics i…Stepping into the unknown: the experiences of tertiary piano students studying improvisation (2022)Stepping into the unknown: th…Experiences of Musical Improvisation: Self-Individuation and Participatory Sense-Making (2022)Experiences of Musical Improv…Expressive piano technic: basics of healthy movement, technic and interpretation (2021)Expressive piano technic: bas…The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera (2011)The Italian Traditions and Pu…After the Golden Age (2007)After the Golden AgeUnskilled and unaware of it: How difficulties in recognizing one's own incompetence lead to inflated self-assessments. (1999)Fine Motor Skills and Executive Function Both Contribute to Kindergarten Achievement (2012)Long-Term Importance of Fundamental Motor Skills: A 20-Year Follow-Up Study (2013)The Stratification of Musical Rhythm (1976)To Understand Verdi and Wagner We Must Understand Mozart (1987)Galant Recitative Schemas (2015)Low-Skip Bias (2015)The New Grove Dictionary of Music and Musicians (1981)Die Musik in Geschichte und Gegenwart (1989)Performance Strategies in Three Recordings of Bach’s Invention No. 1 in C Major: A Comparative Study (2012)Performance as theater: Expert pianists’ awareness of sight and sound in the concert (2023)Classical and Romantic Performing Practice (2025)Improvisation: Its Nature And Practice In Music (1980)Thinking in Jazz (1994)Saying something: jazz improvisation and interaction (1997)The Frequency of Music Improvisation Activities in the Fourth and Fifth Grade of Primary School (2024)Focus Groups: A Practical Guide for Applied Research (1989)Focus group. (2000)Focus-group interview and data analysis (2004)Experiments in Intergroup Discrimination (1970)Musicking: the meanings of performing and listening (1999)Differences Between Tight and Loose Cultures: A 33-Nation Study (2011)Pedagogical strategies for the development of improvisation and composition in North Indian classical music (2025)
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Cited by

  • 2011The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera18 cited
  • 2007After the Golden Age17 cited
  • 2023The varying social dynamics in orally transmitted and notated vs. improvised musical performance8 cited
  • 2022Experiences of Musical Improvisation: Self-Individuation and Participatory Sense-Making4 cited
  • 2021Expressive piano technic: basics of healthy movement, technic and interpretation2 cited
  • 2022Stepping into the unknown: the experiences of tertiary piano students studying improvisation2 cited

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