The Royal Tenenbaums

Owen D. Wilson

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Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

Dining Room. Day Royal sits at the head of a long table. He is surrounded by his children. Chas is twelve, with curly hair, dressed in a black suit and a tie. Margot is ten, with a barrette in her hair, wearing a knitted Lacoste dress and penny loafers. Richie is eight, with long hair, parted on th

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2014A Shared Approach to Familial Dysfunction and Sound Design: Wes Anderson’s Influence on the Films of Noah Baumbach 2014“I Always Wanted to Be a Tenenbaum”: Class Mobility as Neoliberal Fantasy in Wes Anderson’s The Royal Tenenbaums

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