this work references cited by second hopReferences
No references inside the corpus for this window.
Cited by
- 2014Expressiveness in Funk63 cited
- 2012The Sound of Crossover: Micro-rhythm and Sonic Pleasure in Michael Jackson's “Don't Stop 'Til You Get Enough”59 cited
- 2019Flow50 cited
- 2009Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race29 cited
- 2015New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century26 cited
- 2014Forum on Transcription18 cited
- 2018Groove18 cited
- 2018The Routledge Companion to Popular Music Analysis16 cited
- 2015Resistance, rupture and repetition: Civil society strategies against intimate partner violence in Cambodia14 cited
- 2016The Aesthetics of Electronic Dance Music, Part I: History, Genre, Scenes, Identity, Blackness13 cited
- 2022Turn On, Tune In, Drift Off11 cited
- 2015Taking it higher: the spirituality of sensuality in funk performance9 cited
- 2013Prince, Miles, and Maceo: Horns, Masculinity, and the Anxiety of Influence9 cited
- 2016The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics8 cited
- 2017Between repetition and variation: a musical performance ofmalíciain capoeira
Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work