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The Reports by the Juries: A Finding Aid for a Publication From the Great Exhibition of 1851 in the Collection of the Art Gallery of Ontario
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The Reports by the Juries: A Finding Aid for a Publication From the Great Exhibition of 1851 in the Collection of the Art Gallery of Ontario (2021)The Reports by the Juries: A Finding Aid …Impressed by Light: British Photographs from Paper Negatives, 1840–1860 (2008)Impressed by Light: British P…Encyclopedia of nineteenth-century photography (2008)Encyclopedia of nineteenth-ce…"A higher branch of the art": photographing the fine arts in England, 1839-1880 (1996)"A higher branch of the art":…Amateurs, Photography, and the Mid-Victorian Imagination (1989)Amateurs, Photography, and th…The Golden Age of British Photography: 1839-1900 (1985)The Golden Age of British Pho…The Truthful Lens: A Survey of the Photographically Illustrated Book, 1844-1914 (1984)The Truthful Lens: A Survey o…Paper and light the calotype in France and Great Britain, 1839 - 1870 (1984)Paper and light the calotype …Exotic Bodies, Distant Landscapes: Touristic Viewing and Popularized Anthropology in the Nineteenth Century (1996)Reading the Victorian Souvenir: Sonnets and Photographs of the Crimean War (2001)Celebrity and Community: The Poetics of theCarte-de-visite (2003)Making Light of Everything: Early Photography of the Middle East and Current Photomania (1984)Inventing Scotland: Photography, Landscape, and National Identity (2014)The Legacy of Nineteenth-century Replicas for Object Cultural Biographies: Lessons in Duplication from 1830s Fife (2014)Literature, Print Culture, and Media Technologies, 1880–1900 (2019)“The Most Magnificent, Useful, and Interesting Souvenir”: Representations of the International Exhibition of 1862 (1997)Innovation and Tradition in the Reproduction of Spanish Art: Stirling, Utterson, and an Album in the British Museum (2010)Picturing the Installation Shot (2017)Applied Modernism (2011)Characterization of unprocessed historic platinum photographic papers by Raman, FTIR and XRF (2013)Universal Principles of Depicting Oneself across the Centuries: From Renaissance Self-Portraits to Selfie-Photographs (2017)Picturing Highland landscapes: George Washington Wilson and the photography of the Scottish Highlands (1994)Self Portrait: The Sense of Self in British Documentary Photography (2002)Finding Aid For The Set Of George Streynsham Master's Albums At George Eastman House (2021)Rereading the History of Photography (2009)
this work references cited by second hop

References

  • 2008Encyclopedia of nineteenth-century photography111 cited
  • 1989Amateurs, Photography, and the Mid-Victorian Imagination51 cited
  • 2008Impressed by Light: British Photographs from Paper Negatives, 1840–186033 cited
  • 1985The Golden Age of British Photography: 1839-190014 cited
  • 1984The Truthful Lens: A Survey of the Photographically Illustrated Book, 1844-191414 cited
  • 1996"A higher branch of the art": photographing the fine arts in England, 1839-188014 cited
  • 1984Paper and light the calotype in France and Great Britain, 1839 - 18709 cited

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