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European Cinema
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  • 2014Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports?130 cited
  • 2010Locating Migrant and Diasporic Cinema in Contemporary Europe57 cited
  • 2020The rise of the ‘Netflix tax’ and what it means for sustaining European audiovisual markets37 cited
  • 2016Women resisting terror: imaginaries of violence in Algeria (1966–2002)31 cited
  • 2019‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema11 cited
  • 2019Border aesthetics and catachresis in Ali Abbasi’s Gräns/Border (2018)8 cited
  • 2023Bollywoodizing Netflix or globalizing Hotstar? The cultural-industrial logics of global streaming platforms in India6 cited
  • 2011Croatian cinematic identity: A Balkan entity or a European individual?5 cited
  • 2016A counterpublic sphere? Women’s film festivals and the case of Films de Femmes5 cited
  • 2018Discursive practice ofCombat Girls: the construction of social reality in contemporary German film5 cited

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