SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
New Tales from Canterbury:
0 references·6 citing·27 second hop
New Tales from Canterbury: (2004)New Tales from Canterbury:Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign (2018)Popular Music Heritage, Grass…Scene ‘Theory’: History, Usage and Influence (2016)Scene ‘Theory’: History, Usag…Fragile scenes, fractured communities: Tunisian Metal and sceneness (2015)Fragile scenes, fractured com…Sigur Rós's Heima: An Icelandic Psychogeography (2009)Sigur Rós's Heima: An Iceland…The scenes perspective and the Australian context (2008)The scenes perspective and th…Qu’est-ce qu’une culture locale ? La pratique et l’expression du black metal à Taïwan (2006)Qu’est-ce qu’une culture loca…Remembering: A Phenomenological Study (1987)The Production of Space (1992)Questions of Cultural Identity (1997)Sigur Rós: reception, borealism, and musical style (2018)The screams all sound the same: The music of Of Monsters and Men and the Icelandic imaginary as geographical discourse (2018)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Subculture: The Meaning of Style (1995)Subculture (2010)From Snake Pits to Ballrooms: class, race and early rock’n’roll in Perth (2017)Wellbeing, young people, and music scenes (2019)A self-made Zimbabwean musician: A case study of DIY culture in the global south (2023)Running with the devil: power, gender, and madness in heavy metal music (1993)Music Scenes (2004)Music Scenes: Local, Translocal, and Virtual (2011)Distinction: A Social Critique of the Judgement of Taste. (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Distinction: A Social Critique of the Judgement of Taste* (2018)Popular Music, Technology, and the Changing Media Ecosystem (2020)Researching Regional and Rural Music Scenes: Toward a Critical Understanding of an Under-theorized Issue (2020)Selections from the prison notebooks (2020)Methodological challenges of researching an emerging scene: Experimental electronic music in contemporary Manchester (2023)Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes (2023)Club Cultures: Music, Media and Subcultural Capital (1997)Mediated Memories in the Digital Age (2007)Folk Devils and Moral Panics: The Creation of Mods and Rockers (1972–2002) (2019)Online communities and their contribution to local heritage knowledge (2020)Social Media Data for the Conservation of Historic Urban Landscapes: Prospects and Challenges (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015Fragile scenes, fractured communities: Tunisian Metal and sceneness21 cited
  • 2018Popular Music Heritage, Grass-Roots Activism and Web 2.0: The Case of the ‘Save the Palace’ Campaign19 cited
  • 2009Sigur Rós's Heima: An Icelandic Psychogeography11 cited
  • 2008The scenes perspective and the Australian context8 cited
  • 2016Scene ‘Theory’: History, Usage and Influence5 cited
  • 2006Qu’est-ce qu’une culture locale ? La pratique et l’expression du black metal à Taïwan3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work