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Recording Culture
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Recording Culture (2012)Recording CultureReclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher (2020)Reclaiming the ‘Contemporary’…Revitalising language through music: a case study of music and culturally grounded pedagogy in twoKanien’ke:ha(Mohawk) language immersion programmes (2019)Revitalising language through…Southern Sounds, Northern Voices (2018)Southern Sounds, Northern Voi…Política, desentendimento e representação fonográfica entre os Tikuna (2018)Política, desentendimento e r…A Tribe Called Red’s Halluci Nation: Sonifying Embodied Global Allegiances, Decolonization, And Indigenous Activism (2018)A Tribe Called Red’s Halluci …Le studio d’enregistrement comme terrain en ethnomusicologie (2017)Le studio d’enregistrement co…“Welcome to the Tundra”: Tanya Tagaq's creative and communicative agency as political strategy (2017)“Welcome to the Tundra”: Tany…The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives (2015)The Power of Stories: Canadia…Slow Violence and the Environmentalism of the Poor (2011)Aurality (2014)Theorizing Native Studies (2014)The Invention of Tradition (1986)Disjuncture and Difference in the Global Cultural Economy (1990)Introduction : Entering the field of qualitative research (1994)The Post-Colonial Studies Reader (1996)Alternative Media (2002)Decolonization is not a metaphor (2012)Twitter and Research: A Systematic Literature Review Through Text Mining (2020)Tanya Tagaq Covers Nirvana: “Rape Me” and a History of Settler Colonial Violence (2021)Discourse Strategies (1982)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)Re-envisioning resurgence: Indigenous pathways to decolonization and sustainable self-determination (2012)The Inconvenient Indian: A Curious Account of Native People in North America (2012)Red Skin, White Masks (2010)As We Have Always Done (2017)Custer Died for Your Sins: An Indian Manifesto (1970)Mohawk Interruptus (2014)Mohawk interruptus: (political life across the borders of settler states) (2014)Musicology and Decolonial Analysis in the Age of Brexit (2020)Language, Music, Self-Representation and Claiming the Space: Artists from Limpopo Province in South Africa (2022)Settler colonialism and the transformation of anthropology : the politics and poetics of an ethnographic event (1999)The Audible Past (2003)Reclaiming Indigenous Voice and Vision (2007)
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Cited by

  • 2018Southern Sounds, Northern Voices10 cited
  • 2019Revitalising language through music: a case study of music and culturally grounded pedagogy in twoKanien’ke:ha(Mohawk) language immersion programmes9 cited
  • 2017“Welcome to the Tundra”: Tanya Tagaq's creative and communicative agency as political strategy9 cited
  • 2017Le studio d’enregistrement comme terrain en ethnomusicologie4 cited
  • 2015The Power of Stories: Canadian Music Scholarship’s Narratives and Counter-Narratives4 cited
  • 2018A Tribe Called Red’s Halluci Nation: Sonifying Embodied Global Allegiances, Decolonization, And Indigenous Activism3 cited
  • 2018Política, desentendimento e representação fonográfica entre os Tikuna2 cited
  • 2020Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher2 cited

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