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How the 20th century's most important scientist—Albert Einstein—and its most important artist—Pablo Picasso—made their greatest discoveries at almost the same time is a remarkable story: Einstein's relativity theory in 1905 and Picasso's Les Demoiselles d'Avignon two years later. A scientist and an artist confronted the same problem—the nature of time and simultaneity—and resolved it after realizing a new aesthetic. At the nascent moment of creativity boundaries dissolve between disciplines. This article explores the similarities in the early work of two of the greatest icons of Art and Science of the last century.
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