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When Genres Collide
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When Genres Collide (2017)When Genres CollideThe Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming (2024)The Mediation of Genre, Ident…The Beatles and Sixties Britain (2020)The Beatles and Sixties Brita…Improvisation and Value in Rock, 1966 (2020)Improvisation and Value in Ro…Against Populism: Music, Classification, Genre (2020)Against Populism: Music, Clas…Writing about Popular Music (2019)Writing about Popular MusicStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Remembrance of Things Past: Marxism and the Study of Popular Music (2019)Remembrance of Things Past: M…Music Criticism in Norway (2019)Music Criticism in NorwayMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…The Sociology of Rock (1979)Analysing popular music: theory, method and practice (1982)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The converged promoter, the calculating professional, and the autonomous critic – the presentation of musical authority on social media (2021)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Policing the Crisis (1978)Public Moralists (1991)Fan Cultures (2003)Are we living in a ‘Yellow Submarine’? (2023)The Order of Things: An Archaeology of the Human Sciences. (1971)Outline of a Theory of Practice (1977)Distinction: A Social Critique of the Judgement of Taste* (2018)The Predicament of Culture (1988)The Location of Culture (2012)Hegemony and Socialist Strategy (1985)The Black Atlantic: Modernity and Double Consciousness (1994)Feminists Theorize the Political (2013)“Your Wrapped doesn’t lie”: Data realism and Spotify’s constructions of music, listening, and listeners in algorithmic recommendation (2026)
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Cited by

  • 2019Writing about Popular Music53 cited
  • 2020Improvisation and Value in Rock, 196615 cited
  • 2024The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming9 cited
  • 2020Against Populism: Music, Classification, Genre7 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2020The Beatles and Sixties Britain5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Remembrance of Things Past: Marxism and the Study of Popular Music3 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited

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