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The Historical Performance of Music
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Cited by

  • 2005Creativity in performance84 cited
  • 2002Historical performance and the modern performer65 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2003In Respect of Performance: The View from Musicology50 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2006The dimensions of baroque music performance: a semantic differential study22 cited
  • 2007After the Golden Age17 cited
  • 2010Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution16 cited
  • 2022Musical instruments as tangible cultural heritage and as/for intangible cultural heritage14 cited
  • 2017Analyzing Difference in Recordings of Bach’s Violin Solos with a Lead from Gilles Deleuze12 cited
  • 2002Performing through history11 cited
  • 2012The performer and the composer10 cited
  • 2019Historically Uninformed Views of Historically Informed Performance9 cited
  • 2004Music of a century: museum culture and the politics of subsidy8 cited
  • 2012Instrumental performance in the nineteenth century6 cited

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  • 2010A BaroqueTräumerei: The Performance and Perception of two Violin Renditions6 cited