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Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī
8 references·2 citing·23 second hop
Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī (2019)Sensing Sound: Aesthetic and Religious Ex…Preaching Performances Revisited: The Narrative Restaging of Sermons in the Travelogue of Ibn Jubayr (d. 1217) (2017)Preaching Performances Revisi…The Cambridge History of World Music (2013)The Cambridge History of Worl…The Power of Oratory in the Medieval Muslim World (2012)The Power of Oratory in the M…The Transformative Power of Performance: A New Aesthetics (2008)The Transformative Power of P…Among the jasmine trees: music and modernity in contemporary Syria (2007)Among the jasmine trees: musi…Philosophies of Music in Medieval Islam (1995)Philosophies of Music in Medi…An Annotated Glossary of Arabic Musical Terms (1982)An Annotated Glossary of Arab…A History of Arabian Music to the Xiiith Century (1973)A History of Arabian Music to…Towards a Qualitative Model of Religious Worship Experiences: Perceived encounters with the divine in the ritual context of musical devotion practices (2021)Towards a Qualitative Model o…The Materiality of Sound, Mediation, and Practices of Listening: Observations from Historic and Contemporary Muslim Practices (2020)The Materiality of Sound, Med…Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)Qualitative Inhaltsanalyse : Grundlagen und Techniken (2003)The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (2006)Anthropologies of Arab-Majority Societies (2012)Non-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)Ritual sounds, political echoes: Vocal agency and the sensory cultures of secularism in the Dutch Syriac diaspora (2015)The South Asian Double-Reed Aerophone Reconsidered (1980)THE LION-GAZELLE MOSAIC AT KHIRBAT AL-MAFJAR (1997)Foundations of musical knowledge in the Muslim world (2013)Mapping Intermediality in Performance (2011)New Materialisms and Performance Studies (2015)Improvisation in teaching and education—roots and applications (2016)Islamic art and architecture (2000)Musical Instruments in Samāʿ Literature: al-Udfuwī’s Kitāb al-Imtāʿ bi-aḥkām as-samāʿ (2023)On snacks and saints: when discourses of rationality and order enter the Egyptian mawlid (2006)Makam, Âvâze, Şûbe ve Terkib: Osmanlı Musiki Nazariyatında Pisagorcu "Kürelerin Uyumu / Musikisi" Anlayışının Temsili (2014)The Cambridge History of Sixteenth-Century Music (2019)Sound Relations (2021)Spotify and the democratisation of music (2021)Islām al-kāfir fī ḥāl al-juṭba: sobre la conversión de los “infieles” al Islam durante el sermón del viernes en el Egipto mameluco (2012)The Visual Construction of the Umayyad Caliphate in Al-Andalus through the Great Mosque of Cordoba (2018)Islamic Religious Authority in Cyberspace: A Qualitative Study of Muslim Religious Actors in Australia (2022)
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References

  • 2008The Transformative Power of Performance: A New Aesthetics617 cited
  • 1995Philosophies of Music in Medieval Islam113 cited
  • 2013The Cambridge History of World Music106 cited
  • 2012The Power of Oratory in the Medieval Muslim World97 cited
  • 2007Among the jasmine trees: music and modernity in contemporary Syria85 cited
  • 1982An Annotated Glossary of Arabic Musical Terms49 cited
  • 1973A History of Arabian Music to the Xiiith Century44 cited
  • 2017Preaching Performances Revisited: The Narrative Restaging of Sermons in the Travelogue of Ibn Jubayr (d. 1217)17 cited

Cited by

  • 2021Towards a Qualitative Model of Religious Worship Experiences: Perceived encounters with the divine in the ritual context of musical devotion practices9 cited
  • 2020The Materiality of Sound, Mediation, and Practices of Listening: Observations from Historic and Contemporary Muslim Practices9 cited

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