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Cited by

• 2019The Cambridge History of Music Criticism85 cited
• 2019Writing about Popular Music53 cited
• 2016Interrupting the symphony: unpacking the importance placed on classical concert experiences23 cited
• 2012Uprooting music education pedagogies and curricula: Becoming-musician and the Deleuzian refrain22 cited
• 2020Ask the Experts21 cited
• 2014PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE20 cited
• 2001The structures of musical life15 cited
• 2017Are Musicians “Ordinary Workers”? Labor Organization and the Question of “Artistic Value” in the First Years of the Portuguese Musicians’ Class Association: 1909–19138 cited
• 2011Ima Hogg and an Experiment in Audience Education: The Rice Lectureship in Music (1923–33)5 cited
• 2025Julie Reisserová (1888–1938)5 cited
• 2019Stop the Press? The Changing Media of Music Criticism5 cited
• 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
• 2019Music Criticism in Norway3 cited
• 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
• 2020“Strange What Cosmopolites Music Makes of Us”: Classical Music, the Black Press, and Nora Douglas Holt's Black Feminist Audiotopia