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SOUND, IMAGE AND SOCIAL SPACE: MUSIC VIDEO AND MEDIA RECONSTRUCTION
0 references·14 citing·29 second hop
SOUND, IMAGE AND SOCIAL SPACE: MUSIC VIDEO AND MEDIA RECONSTRUCTION (2005)SOUND, IMAGE AND SOCIAL SPACE: MUSIC VIDE…Virtual Choirs and Issues of Community Choral Practice (2024)Virtual Choirs and Issues of …La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique (2022)La captation et ses paradoxes…Putting the ‘punk’ back into pop-punk: Analysing presentations of deviance in pop-punk music (2020)Putting the ‘punk’ back into …Video thrills the Radio Star (2011)Video thrills the Radio StarCultural Technologies and the “Evolution” of Technological Cultures (2009)Cultural Technologies and the…THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO (2007)THE AUDIO-VISION OF FOUND-FOO…STRANGE PEOPLE, WEIRD OBJECTS: (2007)STRANGE PEOPLE, WEIRD OBJECTS:PARADOXES OF PASTICHE: (2007)PARADOXES OF PASTICHE:MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)MUSIC VIDEO AND SYNAESTHETIC …ELVIS GOES GLOBAL: (2007)ELVIS GOES GLOBAL:ELVIS FROM THE WAIST UP AND OTHER MYTHS: (2007)ELVIS FROM THE WAIST UP AND O…1. Illustrating Music (2007)1. Illustrating Music‘Sitting in an English Garden’: Comparing Representations of ‘Britishness’ in the Songs of the Beatles and 1990s Britpop Groups (2000)‘Sitting in an English Garden…'Village greens and terraced streets': Britpop and representations of 'Britishness' (1997)'Village greens and terraced …Subculture: The Meaning of Style. (1981)Hooligan (1983)Places on the Margin: Alternative Geographies of Modernity (1992)Prom Dreams and Prom Reality: Girls Negotiating “Perfection” at the High School Prom* (2009)Un spectre hante le rock… L’obsession patrimoniale, les musiques populaires et actuelles et les enjeux de la « muséomomification » (2012)Hebdige, Punk and the Post-subcultural Meaning of Style (2020)'There ain't no black in the Union Jack' : the cultural politics of race and nation (1987)Subculture: The Meaning of Style (1995)Boyz to Men: Irish Boy Bands and Mothering the Nation (2007)The politics of stardust or the politics of cool: Popular music and the British honours system (2010)The Beatles and Sixties Britain (2020)Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Sound and vision: the music video reader (1994)The speed of sound: Hollywood and the talkie revolution, 1926-1930 (1998)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)“The Most Terrific Sandbox”: Music Video Directors, Style, and the Question of the Auteur (2008)The Presentation of Self in Everyday Life. (1956)A Social Psychologist Discovers Chicago Sociology (1989)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)Gender Trouble: Feminism and the Subversion of Identity (1991)The politics of ‘platforms’ (2010)The Platformization of the Web: Making Web Data Platform Ready (2015)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The Many Faces of K‐pop Music Videos: Revues, Motown, and Broadway in “Twinkle” (2016)Transgressing boundaries between film and music videos: Smarzowski, Kolski, and music videos in Poland (2019)Unruly vision, synesthetic space: drone music videos (2020)
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  • 2000‘Sitting in an English Garden’: Comparing Representations of ‘Britishness’ in the Songs of the Beatles and 1990s Britpop Groups20 cited
  • 2007PARADOXES OF PASTICHE:19 cited
  • 2007MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY14 cited
  • 1997'Village greens and terraced streets': Britpop and representations of 'Britishness'13 cited
  • 2009Cultural Technologies and the “Evolution” of Technological Cultures12 cited
  • 20071. Illustrating Music9 cited
  • 2007THE AUDIO-VISION OF FOUND-FOOTAGE FILM AND VIDEO8 cited
  • 2007STRANGE PEOPLE, WEIRD OBJECTS:7 cited
  • 2022La captation et ses paradoxes. Réflexions sur la mise en vidéo des concerts à l’ère de la plateformisation de la musique4 cited
  • 2011Video thrills the Radio Star4 cited
  • 2007ELVIS FROM THE WAIST UP AND OTHER MYTHS:4 cited
  • 2007ELVIS GOES GLOBAL:4 cited
  • 2020Putting the ‘punk’ back into pop-punk: Analysing presentations of deviance in pop-punk music3 cited
  • 2024Virtual Choirs and Issues of Community Choral Practice3 cited

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