SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Parergon
0 references·4 citing·13 second hop
The Parergon (1979)The ParergonCelebrity conferences as confessional spaces: the aca-fan memory traces of David Bowie’s stardom (2019)Celebrity conferences as conf…Bede’s Blush (1998)Bede’s BlushTeleologie der Malerei. Selbstportraits und Zukunftsreflexion bei Poussin und Velázquez (1993)Teleologie der Malerei. Selbs…Deconstructing Chaucer's Retraction (1991)Deconstructing Chaucer's Retr…Why the Angels Speak Italian: Dante as Vernacular Poeta in Paradiso XXV (1984)Shame and Guilt in Chaucer (2012)“Here taketh the makere of this book his leve”: The Retraction and Chaucer’s Works in Tudor England (2016)Retraction and Re-Collection: Chaucer’s Apocalyptic Self-Examination (2016)Essays in the history of art presented to Rudolf Wittkower (1967)Images and Ideas in Seventeenth-Century Spanish Painting (1979)Roger de Piles' Theory of Art (1986)Textual poachers : television fans & participatory culture (1992)4.3 ‘Bodies that Matter’ (1999)The Space Between: On Being an Insider-Outsider in Qualitative Research (2009)Discipline and Punish: The Birth of the Prison (1978)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Gender Trouble: Feminism and the Subversion of Identity (1991)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1991Deconstructing Chaucer's Retraction36 cited
  • 1998Bede’s Blush8 cited
  • 2019Celebrity conferences as confessional spaces: the aca-fan memory traces of David Bowie’s stardom4 cited
  • 1993Teleologie der Malerei. Selbstportraits und Zukunftsreflexion bei Poussin und Velázquez1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work