References

No references inside the corpus for this window.

Cited by

• 1982Conventions and the Production of the Popular Music Aesthetic29 cited
• 2016Making It in a Cover Music Scene: Negotiating Artistic Identities in a “Kmart‐Level Market”23 cited
• 2016Sustainable and Unsustainable Semi-professionalism: Grassroots Music Careers in Folk and Metal23 cited
• 1994Rock ‘n’ roll Ain't noise pollution: Artistic conventions and tensions in the major subgenres of heavy metal music22 cited
• 2012Musicians on the Move: Mobilities and Identities of a Band on the Road20 cited
• 2006Negotiating and Practicing Performance: An Ethnographic Study of a Musical Open Mic in Brooklyn, New York15 cited
• 2018Formal or informal—which learning approach do music majors prefer?13 cited
• 1997EMBRACING THE ROLE OF AMATEUR12 cited
• 2009Mixing Memphis Soul into the Community College Curriculum Stew10 cited
• 2010Heterosexuality Is Totally Metal: Ritualized Community and Separation at a Local Music Club9 cited
• 1991On the outside looking in: Professional socialization and the process of becoming a songwriter9 cited
• 2022Hearing Like a Musician: Integrating Sensory Perception of Self into a Social Theory of Self-Reflexivity6 cited
• 2023Young people navigating musical lives: Considering arts participation as agency in cultural authorship5 cited