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Greek Theatre Performance
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Greek Theatre Performance (2000)Greek Theatre PerformanceFace Masks: Their History and the Values They Communicate (2020)Face Masks: Their History and…Greek Tragedy, Agonistic Space, and Contemporary Performance (2018)Greek Tragedy, Agonistic Spac…THE MASKS OF ORTHIA: FORM, FUNCTION AND THE ORIGINS OF THEATRE (2015)THE MASKS OF ORTHIA: FORM, FU…Understanding audience participation in an interactive theater performance (2014)Understanding audience partic…The Method behind the madness: Katie Mitchell, Stanislavski, and the classics (2014)The Method behind the madness…Greek tragedies in West African adaptations (2004)Greek tragedies in West Afric…Choral Identity in Greek Tragedy (2003)Choral Identity in Greek Trag…Rolling out the red carpet: Power ‘play’ in modern Greek versions of the Myth of Orestes from the 1960s and 1970s (I) (2002)Rolling out the red carpet: P…“The world’s a circular stage”: Aeschylean tragedy through the eyes of Eva Palmer-Sikelianou (2002)“The world’s a circular stage…The Masks of Greek Tragedy as Point of Departure for Modern Performance (2001)The Masks of Greek Tragedy as…4 From The Birth of Tragedy (1872) (1994)The Birth of Tragedy and Other Writings (1999)Theater Festivals, Total Works of Art, and the Revival of Greek Tragedy on the Modern Stage (2010)Nietzsche on Tragedy (2016)From ritual to theatre : the human seriousness of play (1982)From Ritual to Theatre: The Human Seriousness of Play (1983)Doing grounded theory : issues and discussions (1998)Distributed Liveness (2016)Live Streaming as Co-Performance (2019)Boiling Mind: Amplifying the Audience-Performer Connection through Sonification and Visualization of Heart and Electrodermal Activities (2021)Philological Quarterly (1922)Actors in the Audience (1994)Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war" (1997)Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World (1991)Reciprocity and Ritual (1994)The Context of Ancient Drama (1995)Bacchylides (2007)Athenian democracy and popular tyranny (2016)Life / Afterlife (2024)Myth, Literature and the African World (1978)Masks of conquest: literary study and British rule in India (1990)In my father's house: Africa in the philosophy of culture (1992)II.—WHAT IS AN EMOTION ? (1884)The feeling of what happens: body and emotion in the making of consciousness (2000)What is an emotion? (2005)The Dramatic Festivals of Athens (1954)Impro (1981)Theatre in Ancient Greek Society (2013)Mindreading, Character, and Realism (2023)Minds on Stage (2023)Spectating Ancient Dramas (2023)Geschichte der griechischen Religion (1958)Geschichte der griechischen Religion (1964)Performance, Iconography, Reception: Studies in Honour of Oliver Taplin (review) (2009)Agonistics: Thinking the World Politically (2013)Artificial hells: participatory art and the politics of spectatorship (2013)From The Emancipated Spectator (2025)Myth and tragedy in ancient Greece (1989)The Cambridge Companion to Greek Tragedy (1997)Cognitive Dissonance: Fifty Years of a Classic Theory (2007)UK street art and the meaning of masks during the COVID-19 pandemic, 2020-21 (2022)
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Cited by

  • 2003Choral Identity in Greek Tragedy119 cited
  • 2014Understanding audience participation in an interactive theater performance81 cited
  • 2020Face Masks: Their History and the Values They Communicate29 cited
  • 2001The Masks of Greek Tragedy as Point of Departure for Modern Performance25 cited
  • 2015THE MASKS OF ORTHIA: FORM, FUNCTION AND THE ORIGINS OF THEATRE21 cited
  • 2002“The world’s a circular stage”: Aeschylean tragedy through the eyes of Eva Palmer-Sikelianou20 cited
  • 2002Rolling out the red carpet: Power ‘play’ in modern Greek versions of the Myth of Orestes from the 1960s and 1970s (I)19 cited
  • 2014The Method behind the madness: Katie Mitchell, Stanislavski, and the classics19 cited
  • 2004Greek tragedies in West African adaptations18 cited
  • 2018Greek Tragedy, Agonistic Space, and Contemporary Performance10 cited

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