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Cited by

• 2019How geopolitical becomes personal: Method acting, war films and affect27 cited
• 2019Rediscovering Stanislavsky25 cited
• 2009Of Pounds of Flesh and Trojan Horses: Performer training in the twenty-first century21 cited
• 2020Experimental Beckett19 cited
• 2019A Psychological Exploration of the Experience of Acting14 cited
• 2010‘The Reality of Doing’: Meisner Technique and British Actor training13 cited
• 2019Physical actor training 2.0: new digital horizons12 cited
• 2010Alba Emoting and emotional melody: surfing the emotional wave in Cachagua, Chile11 cited
• 2020The Role of Applied Theatre in Social Work: Creative Interventions with Homeless Individuals10 cited
• 2018Real Theatre8 cited
• 2016Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis)7 cited
• 2011Twenty-first-century Russian actor training: Active Analysis in the UK7 cited
• 2015Practicing Human Dignity: Ethical Lessons from Commedia dell’Arte and Theater7 cited
• 2019Training the homo cellularis: attention and the mobile phone6 cited
• 2016Influences of Experimental Theatre on the Emergence of Self-revelatory Performance