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Cited by

• 2019Medieval Affect, Feeling, and Emotion72 cited
• 1989The ‘Expulsion of the Minions’ of 1519 Reconsidered34 cited
• 2012The Concept of Shame in Late‐Medieval English Literature17 cited
• 2011“Lo, Heer the Fourme”: Hoccleve'sSeries,Formulary, and Bureaucratic Textuality14 cited
• 1987‘Deor’ and Its Refrain: Preliminaries to an Interpretation12 cited
• 2019Becoming One Flesh, Inhabiting Two Genders: Ugly Feelings and Blocked Emotion in theWife of Bath’s Prologue and Tale9 cited
• 1991The presentation of marriage and love in Chaucer's Franklin's Tale8 cited
• 2019Weeping Like a Beaten Child: Figurative Language and the Emotions in Chaucer and Malory5 cited
• 2015Competing Archives, Competing Histories: French and Its Cultural Locations in Late-Medieval England5 cited
• 2008The Study of Proverbs in Anglo‐Saxon Literature: Recent Scholarship, Resources for Research, and the Future of the Field3 cited
• 1981‘Sir Gawain and the Green Knight’ and the Sins of the Flesh2 cited
• 2019Accounting for Affect in theReeve’s Tale2 cited
• 2015The Proverb as Embedded Microgenre in Chaucer andThe Dialogue of Solomon and Marcolf2 cited