SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Body Movements in Music Performances: The Example of Clarinet Players
9 references·1 citing·46 second hop
Body Movements in Music Performances: The Example of Clarinet Players (2018)Body Movements in Music Performances: The…Sight over sound in the judgment of music performance (2013)Sight over sound in the judgm…When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance (2012)When the Eye Listens: A Meta-…Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies (2012)Bodily movement and facial ac…Attentional focus and motor learning: a review of 15 years (2012)Attentional focus and motor l…Effects of State Anxiety on Music Performance: Relationship between the Revised Competitive State Anxiety Inventory-2 Subscales and Piano Performance (2009)Effects of State Anxiety on M…Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration (2007)Hearing Gestures, Seeing Musi…The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field (2005)The Musical Significance of C…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…Cross-modal interactions in the perception of musical performance (2005)Cross-modal interactions in t…Body Movement (2022)Body MovementLanguage and Gesture (2000)Respiratory Markers of Conversational Interaction (2001)Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles (2013)Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance (2019)Hearing lips and seeing voices (1976)An argument for basic emotions (1992)Hand and mind: what gestures reveal about thought (1993)Emotional Responses to Multisensory Environmental Stimuli (2016)Multimodal Integration of Emotional Signals from Voice, Body, and Context: Effects of (In)Congruence on Emotion Recognition and Attitudes Towards Robots (2019)Telling more than we can know: Verbal reports on mental processes. (1977)Implicit social cognition: Attitudes, self-esteem, and stereotypes. (1995)Crossmodal interactions in the perception of expressivity in musical performance (2013)Getting into the musical zone: trait emotional intelligence and amount of practice predict flow in pianists (2013)Accuracy of perceiving social attributes (2016)Handbook Of Mental Control (1992)Perception and Action Planning (1997)The automaticity of complex motor skill learning as a function of attentional focus (2001)Attentional focus in endurance activity: new paradigms and future directions (2014)Optimizing performance through intrinsic motivation and attention for learning: The OPTIMAL theory of motor learning (2016)Superiority of external attentional focus for motor performance and learning: Systematic reviews and meta-analyses. (2021)Kinematic specification of dynamics as an informational basis for person-and-action perception: Expectation, gender recognition, and deceptive intention. (1983)The role of deliberate practice in the acquisition of expert performance. (1993)Performing Rites (1996)The movements made by performers in a skilled quartet: a distinctive pattern, and the function that it serves (2013)Musicians’ perceptions and experiences of using simulation training to develop performance skills (2016)Humans integrate visual and haptic information in a statistically optimal fashion (2002)The Ventriloquist Effect Results from Near-Optimal Bimodal Integration (2004)Synesthesia: A new approach to understanding the development of perception. (2009)Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance (2010)Subjective Time (2014)Manual for the state-trait anxiety inventory (form Y) : "self-evaluation questionnaire" (1970)Self-efficacy: the exercise of control (1997)Oxford Oxford University (2005)Performance anxiety and musical level of undergraduate students in exam situations: The role of gender and musical instrument (2012)Psychological intervention reduces self-reported performance anxiety in high school music students (2015)Music performance anxiety from the challenge and threat perspective: psychophysiological and performance outcomes (2020)Bias in meta-analysis detected by a simple, graphical test (1997)Cochrane Handbook for Systematic Reviews of Interventions (2008)The influence of deliberate practice on musical achievement: a meta-analysis (2014)Adopting an External Focus of Attention Enhances Musical Performance (2018)Introduction to Meta‐Analysis (2021)Gesticulation and Speech: Two Aspects of the Process of Utterance (1980)Mirror neurons and the simulation theory of mind-reading (1998)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)Action and Agency Revisited (2013)
this work references cited by second hop

References

  • 2012Attentional focus and motor learning: a review of 15 years1,315 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert427 cited
  • 2005Cross-modal interactions in the perception of musical performance306 cited
  • 2013Sight over sound in the judgment of music performance260 cited
  • 2005The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field216 cited
  • 2007Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration212 cited
  • 2012Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies204 cited
  • 2012When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance182 cited
  • 2009Effects of State Anxiety on Music Performance: Relationship between the Revised Competitive State Anxiety Inventory-2 Subscales and Piano Performance77 cited

Cited by

  • 2022Body Movement3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work