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Cited by

• 2015Towards the study of actor training in an age of globalised digital technology24 cited
• 2013Can mimetics, a theatre‐based practice, open possibilities for young people with learning disabilities? A capability approach19 cited
• 2016Masks as a method: Meyerhold to Mnouchkine13 cited
• 2012Singing, speaking, dance-acting, and combat; mouth, hands, eyes, body, and steps – from training to performance in Beijing Opera ( Jingju )8 cited
• 2011Teatr Piesn Kozla and its integration into Western European theatre training6 cited
• 2012The influence of sports on Jacques Lecoq's actor training5 cited