New sources of English fourteenth- and fifteenth-century polyphony

Abstract

Recent years have witnessed a steady flow of newly discovered sources of late-medieval English sacred music. These have served both to document familiar repertories and practices more fully, and also to establish the identity and character of those that are more peripheral and idiosyncratic. Five of these new sources are described here. Four contribute to the hitherto relatively poorly represented indigenous sources and repertories of Mass music of the middle and the second half of the fifteenth century; one, Lincoln Cathedral MS 52, supplements the known body of fourteenth-century polytextual music.

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