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Experimental Music in Black and White: The AACM in New York, 1970–1985
16 references·7 citing·26 second hop
Experimental Music in Black and White: The AACM in New York, 1970–1985 (2004)Experimental Music in Black and White: Th…A Dictionary of the Avant-Gardes (2013)A Dictionary of the Avant-Gar…Silence : lectures and writings (2011)Silence : lectures and writin…What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists (2002)What Is This Thing Called Jaz…Experimental music: Cage and beyond (2002)Experimental music: Cage and …Making music modern : New York in the 1920s (2000)Making music modern : New Yor…Arcana : musicians on music (1999)Arcana : musicians on musicA Life in Ragtime: A Biography of James Reese Europe. (1996)A Life in Ragtime: A Biograph…The power of black music: interpreting its history from Africa to the United States (1995)The power of black music: int…Minorities and Distributional Equity at the National Endowment for the Arts (1993)Minorities and Distributional…No Respect: Intellectuals and Popular Culture (1990)No Respect: Intellectuals and…Performance Art: From Futurism to the Present (1988)Performance Art: From Futuris…Noise: The Political Economy of Music (1986)Noise: The Political Economy …The freedom principle: Jazz after 1958 (1984)The freedom principle: Jazz a…As Serious As Your Life. The Story of the New Jazz (1982)As Serious As Your Life. The …Black nationalism and the revolution in music (1970)Black nationalism and the rev…Blues People: Negro Music in White America (1963)Blues People: Negro Music in …That’s All It Does (2019)That’s All It DoesSteve Reich’s Counterpoints and Computers (2019)Steve Reich’s Counterpoints a…Afro-Electric Counterpoint (2019)Afro-Electric Counterpoint“Departing to Other Spheres” (2019)“Departing to Other Spheres”“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers (2008)“What I Call a Sound”: Anthon…Improvisation and Pedagogy: Background and Focus of Inquiry (2007)Improvisation and Pedagogy: B…I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-1980 (2005)I Love You with an Asterisk: …The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)Culture and Competition: Homophily and Distancing Explanations for Cultural Niches (2003)Black Twitter? Racial Hashtags, Networks and Contagion (2013)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)Performing theory/embodied writing (1999)The Balanced Scorecard: what is the score? A rhetorical analysis of the Balanced Scorecard (2003)The networked practice of online political satire in China: Between ritual and resistance (2015)What's the Point of an Index? or, Faking Photographs (2008)Musical choices during group free improvisation: A qualitative psychological investigation (2015)Generative Art Theory (2016)Club cultures: music, media and subcultural capital (1996)The Protean Quality of Subcultural Consumption: An Ethnographic Account of Gay Consumers (2002)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)The Cambridge History of American Music (1998)Specters of Democracy (2011)Loving Music Till It Hurts (2019)Negotiating Freedom: Values and Practices in Contemporary Improvised Music (2002)Review - The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue (2004)Nina Simone's Triple Play (2011)Sampling the 1970s in hip-hop (2003)Banding together: how communities create genres in popular music (2012)
this work references cited by second hop

References

  • 1986Noise: The Political Economy of Music1,617 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1963Blues People: Negro Music in White America879 cited
  • 2011Silence : lectures and writings864 cited
  • 1988Performance Art: From Futurism to the Present593 cited
  • 1995The power of black music: interpreting its history from Africa to the United States388 cited
  • 2002Experimental music: Cage and beyond292 cited
  • 2002What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists277 cited
  • 1970Black nationalism and the revolution in music218 cited
  • 1982As Serious As Your Life. The Story of the New Jazz160 cited
  • 1996A Life in Ragtime: A Biography of James Reese Europe.124 cited
  • 1984The freedom principle: Jazz after 1958123 cited
  • 2000Making music modern : New York in the 1920s99 cited
  • 1999Arcana : musicians on music57 cited
  • 2013A Dictionary of the Avant-Gardes53 cited
  • 1993Minorities and Distributional Equity at the National Endowment for the Arts42 cited

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Cited by

  • 2019Afro-Electric Counterpoint18 cited
  • 2007Improvisation and Pedagogy: Background and Focus of Inquiry18 cited
  • 2019That’s All It Does13 cited
  • 2008“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers12 cited
  • 2019“Departing to Other Spheres”6 cited
  • 2005I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-19805 cited
  • 2019Steve Reich’s Counterpoints and Computers3 cited