References

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Cited by

• 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
• 2017On the Production of Alternative Music Places: Im-materiality, Labor, and Meaning19 cited
• 2020Herbert Eimert and the Darmstadt School15 cited
• 2020Sounding the Arcane: Contemporary Music, Gender and Reproduction14 cited
• 2019Musicology Without Music11 cited
• 2017Transcription, Recording, and Authority in ‘Classic’ Minimalism11 cited
• 2019Inventing the Iceberg: Exploring Derek Bailey’s Dichotomic Taxonomy9 cited
• 2016The Instant Composers Pool: Music Notation and the Mediation of Improvising Agency8 cited
• 2017Animating the Object: Marcelle Deschênes and acousmatic education in Quebec6 cited
• 2018The Self-Actualization of John Adams5 cited
• 2020Negotiating Convention: Pop-Ups and Populism at the San Francisco Opera5 cited
• 2020(Re-)Assembling Notations in the Performance of Early Music5 cited
• 2014‘HOW I BECAME A COMPOSER’: AN INTERVIEW WITH VINKO GLOBOKAR4 cited
• 2018The Rise and Fall of “Indie Classical”: Tracing a Controversial Term in Twenty-First Century New Music4 cited