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Cited by

• 2010Die Innovationen der Gesellschaft229 cited
• 2019The social and cultural values of live music: Sustaining urban live music ecologies112 cited
• 2020A Pragmatic Redefinition of Value(s): Toward a General Model of Valuation107 cited
• 2020Entertainment Industry Economics88 cited
• 2020How is Intangible Cultural Heritage Valued in the Eyes of Inheritors? Scale Development and Validation75 cited
• 2016The World Heritage list: Which sites promote the brand? A big data spatial econometrics approach63 cited
• 2016Transparency in an opaque market: Evaluative frictions between “thick” valuation and “thin” price data in the art market58 cited
• 2012THE END OF THE ART CONNOISSEUR? EXPERTS AND KNOWLEDGE PRODUCTION IN THE VISUAL ARTS IN THE DIGITAL AGE53 cited
• 2020From public good to public value: arts and culture in a time of crisis53 cited
• 2014Two approaches to study the value of art and culture, and the emergence of a third47 cited
• 2013The Economic and Cultural Value of Paintings: Some Empirical Evidence41 cited
• 2016The practice of cultural ecology: network connectivity in the creative economy38 cited
• 2022New forms of finance and funding in the cultural and creative industries. Introduction to the special issue38 cited