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The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati
2 references·10 citing·35 second hop
The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati (1992)The Rhythms of Reiteration: Formal Develo…Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)Stravinsky's "Les Noces" and …Some Extensions of the Concepts of Metrical Consonance and Dissonance (1987)Some Extensions of the Concep…Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan (2021)Asymmetrical Meter, Ostinati,…The Music of Pavel Haas (2020)The Music of Pavel HaasMetric Manipulations in Post-Tonal Music (2020)Metric Manipulations in Post-…Rhythmic Functions in Pop-Rock Music (2018)Rhythmic Functions in Pop-Roc…SYMMETRY IN THE MUSIC OF JOHN ADAMS (2014)SYMMETRY IN THE MUSIC OF JOHN…Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Stravinsky and the Russian pe…The Rake's Progress and Stravinsky's Return: The Composer's Evolving Approach to Setting Text (2010)The Rake's Progress and Strav…The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare” (2008)The Roles of Invariance and A…Counterpoint and polyphony in recent instrumental works of John Adams (2007)Counterpoint and polyphony in…Robert Schumann's Metrical Revisions (1997)Robert Schumann's Metrical Re…Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)The Music of Igor Stravinsky (1983)Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-1928 (1991)The Technique of My Musical Language (1957)The Structure of Atonal Music (1973)Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)Expositions and Developments (1962)Poetics of Music in the Form of Six Lessons (1970)Theory and History of Folklore. (1985)Stravinsky's Les Noces (Svadebka), and The Prohibition Against Expressive Timing (2003)Singing as Experience among Russian American Molokans (2005)The Stratification of Musical Rhythm (1976)Interacting Pulse Streams in Schoenberg's Atonal Polyphony (1994)Stravinsky, selected correspondence (1982)Notated and Heard Meter (1986)Metric Irregularity in "Les noces": The Problem of Periodicity (1995)Disquieting Conversations: Bach, Modernity, and God (2013)Song and the Music of Poetry (2017)Introduction to Post-Tonal Theory (1991)The Cambridge History of Twentieth-Century Music (2004)Hallelujah junction: composing an American life (2009)The Theory of Participatory Discrepancies: A Progress Report (1995)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)Black Sun: Depression and Melancholia (1991)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)The Oxford Handbook of Topic Theory (2013)Emotion and Meaning in Music (1961)The Modularity of Mind (1983)The Ideology of the Aesthetic (1988)The orchestral music of Michael Tippett: creative development and the compositional process (2015)Geometric Generalizations of the Tonnetz and Their Relation to Fourier Phases Spaces (2018)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)An Empirical Study of Syncopation in American Popular Music, 1890?1939 (2006)M etric D isplacement D issonance and R omantic L onging in the G erman L ied (2006)
this work references cited by second hop

References

  • 1987Some Extensions of the Concepts of Metrical Consonance and Dissonance83 cited
  • 1990Stravinsky's "Les Noces" and Russian Village Wedding Ritual43 cited

Cited by

  • 2008The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare”29 cited
  • 2018Rhythmic Functions in Pop-Rock Music21 cited
  • 2010The Rake's Progress and Stravinsky's Return: The Composer's Evolving Approach to Setting Text20 cited
  • 2013Stravinsky and the Russian period: sound and legacy of a musical idiom15 cited
  • 2020The Music of Pavel Haas10 cited
  • 1997Robert Schumann's Metrical Revisions6 cited
  • 2007Counterpoint and polyphony in recent instrumental works of John Adams5 cited
  • 2014SYMMETRY IN THE MUSIC OF JOHN ADAMS5 cited
  • 2020Metric Manipulations in Post-Tonal Music4 cited
  • 2021Asymmetrical Meter, Ostinati, and Cycles in the Music of Tigran Hamasyan3 cited

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